"Because I am a mother, I am capable of being shocked: as I never was when I was not one"
About this Quote
Motherhood isn’t presented here as a softening so much as a radical rewiring of the nervous system. Atwood’s line has the cool, clinical snap of a novelist who distrusts sentimental portraits of parenting: “capable of being shocked” reads like a newly acquired faculty, as if motherhood installs an extra sense. The punch is in the inversion. We tend to imagine becoming a parent makes you braver, tougher, more “grown up.” Atwood says it makes you newly vulnerable - not because you’ve become naive, but because you now carry a living extension of yourself out into a world that can hurt it.
The subtext is bodily and political. “Mother” is not only an identity but an exposure: your private life now has stakes, and the stakes are mobile. Shock becomes a measure of attachment and of foresight; you can suddenly imagine calamity in high definition. That’s why the second clause lands with quiet menace. “As I never was when I was not one” suggests a before/after boundary so stark it feels like irreversible transformation - a theme Atwood returns to in work that interrogates how societies romanticize mothers while exploiting their fear.
Context matters: Atwood writes from a cultural landscape that alternates between sanctifying motherhood and blaming mothers for their own anxiety. She refuses both. Shock, in her framing, isn’t hysteria; it’s consciousness with something to lose. The sentence’s dry logic is the tell. It’s not a confession of weakness. It’s a report from the front lines of care.
The subtext is bodily and political. “Mother” is not only an identity but an exposure: your private life now has stakes, and the stakes are mobile. Shock becomes a measure of attachment and of foresight; you can suddenly imagine calamity in high definition. That’s why the second clause lands with quiet menace. “As I never was when I was not one” suggests a before/after boundary so stark it feels like irreversible transformation - a theme Atwood returns to in work that interrogates how societies romanticize mothers while exploiting their fear.
Context matters: Atwood writes from a cultural landscape that alternates between sanctifying motherhood and blaming mothers for their own anxiety. She refuses both. Shock, in her framing, isn’t hysteria; it’s consciousness with something to lose. The sentence’s dry logic is the tell. It’s not a confession of weakness. It’s a report from the front lines of care.
Quote Details
| Topic | Mother |
|---|---|
| Source | Help us find the source |
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