"Because of my age and because there's more work on the small screen. What it's missing in quality it makes up for in quantity. From an actor's selfish point of view"
About this Quote
Romero’s line is a sly, late-career reality check: the center of gravity has moved, and he’s pragmatic enough to follow it. “Because of my age” isn’t self-pity; it’s a quiet admission that film’s gatekeepers prize youth while television, especially in the mid-to-late 20th century, reliably needed working professionals who could show up, hit marks, and deliver. He’s naming the economics of longevity in show business without dressing it up as “artistic evolution.”
The zinger is the trade-off: “What it’s missing in quality it makes up for in quantity.” It’s not just a TV diss; it’s an actor’s calculus. In an era when small-screen production could be fast, uneven, and relentlessly scheduled, quantity meant paychecks, visibility, and a continuing public identity. Romero’s wit works because it’s double-edged: he flatters himself as a craftsman who can survive imperfect material, while also puncturing the prestige hierarchy that treats film as “real” acting and television as a compromise.
Then he twists the knife on his own ego: “From an actor’s selfish point of view.” That little confession is the quote’s moral alibi. Instead of pretending it’s about serving the medium, he admits the self-interest that the industry runs on anyway. The subtext: acting isn’t a sacred calling, it’s a job in a market, and older actors learn quickly that pride doesn’t pay residuals. Romero makes the uncomfortable truth sound almost charming: survival, dressed as candor.
The zinger is the trade-off: “What it’s missing in quality it makes up for in quantity.” It’s not just a TV diss; it’s an actor’s calculus. In an era when small-screen production could be fast, uneven, and relentlessly scheduled, quantity meant paychecks, visibility, and a continuing public identity. Romero’s wit works because it’s double-edged: he flatters himself as a craftsman who can survive imperfect material, while also puncturing the prestige hierarchy that treats film as “real” acting and television as a compromise.
Then he twists the knife on his own ego: “From an actor’s selfish point of view.” That little confession is the quote’s moral alibi. Instead of pretending it’s about serving the medium, he admits the self-interest that the industry runs on anyway. The subtext: acting isn’t a sacred calling, it’s a job in a market, and older actors learn quickly that pride doesn’t pay residuals. Romero makes the uncomfortable truth sound almost charming: survival, dressed as candor.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
More Quotes by Cesar
Add to List







