"Before I started doing the film and when I found out I was going to be doing it, I just decided to pump up on the whole cardio stuff. Just in terms of stamina"
About this Quote
There is something quietly radical about an actor describing her preparation not in terms of glamour or “finding the character,” but in the plain language of cardio, stamina, and work. Parminder Nagra frames the job like an endurance event: you don’t “become” the role, you train for it. The phrasing is almost stubbornly unromantic, as if she’s swatting away the myth that screen performance is mostly inspiration and cheekbones.
The intent reads practical, but the subtext is industry-savvy. “Pump up” signals agency: she’s not waiting for a production to protect her body or schedule; she’s preemptively adapting to the demands of a shoot, where long days, repeated takes, and physical blocking can punish anyone, especially women who are expected to look effortless while working at full tilt. Stamina becomes a kind of professional armor.
There’s also a cultural context to who gets to be seen as “athletic” on screen. For an actress like Nagra, who broke through in an era when South Asian women were often boxed into narrow, decorative roles, talking training and endurance subtly pushes against that confinement. She positions herself as capable, durable, and job-focused, not merely presentable. It’s a small statement with a big implication: the body on camera isn’t just an object to be lit; it’s the engine that has to last the whole production.
The intent reads practical, but the subtext is industry-savvy. “Pump up” signals agency: she’s not waiting for a production to protect her body or schedule; she’s preemptively adapting to the demands of a shoot, where long days, repeated takes, and physical blocking can punish anyone, especially women who are expected to look effortless while working at full tilt. Stamina becomes a kind of professional armor.
There’s also a cultural context to who gets to be seen as “athletic” on screen. For an actress like Nagra, who broke through in an era when South Asian women were often boxed into narrow, decorative roles, talking training and endurance subtly pushes against that confinement. She positions herself as capable, durable, and job-focused, not merely presentable. It’s a small statement with a big implication: the body on camera isn’t just an object to be lit; it’s the engine that has to last the whole production.
Quote Details
| Topic | Fitness |
|---|
More Quotes by Parminder
Add to List





