"Before I'm a writer, I'm definitely a reader and when I read memoir, I really want it to be true"
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Burroughs is policing the border between confession and performance, and he does it with a sly credential check: before he claims the authority of the writer, he asserts the vulnerability of the reader. That inversion matters. Writers can always hide behind craft, style, and the well-worn defense that “memory is subjective.” Readers, though, enter memoir with a different contract: they’re not just buying sentences, they’re buying faith. Burroughs’ line isn’t naive about storytelling; it’s a demand that the emotional risk of reading be met with an ethical risk from the author.
The subtext is also defensive, and culturally timed. Burroughs rose with a wave of memoirs that sold like novels and read like confessionals, right as the genre’s truth claims were being publicly litigated (think of the spectacle around James Frey). “I really want it to be true” sounds gentle, even childlike, but it’s a pressure point: it frames truth as the reader’s desire, not the publisher’s marketing or the author’s brand. That shift lets Burroughs stake out a moral posture without sounding puritanical.
There’s a sharper implication, too. By insisting on truth in memoir, he’s also protecting the form’s special power: the feeling that a real person survived something and turned it into language. If that “real” collapses, memoir becomes just another entertainment product. Burroughs is arguing that the genre’s intensity depends on not cheating the reader’s trust.
The subtext is also defensive, and culturally timed. Burroughs rose with a wave of memoirs that sold like novels and read like confessionals, right as the genre’s truth claims were being publicly litigated (think of the spectacle around James Frey). “I really want it to be true” sounds gentle, even childlike, but it’s a pressure point: it frames truth as the reader’s desire, not the publisher’s marketing or the author’s brand. That shift lets Burroughs stake out a moral posture without sounding puritanical.
There’s a sharper implication, too. By insisting on truth in memoir, he’s also protecting the form’s special power: the feeling that a real person survived something and turned it into language. If that “real” collapses, memoir becomes just another entertainment product. Burroughs is arguing that the genre’s intensity depends on not cheating the reader’s trust.
Quote Details
| Topic | Writing |
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