"Being a father, well, I don't know if this is a change, but it makes me want to get out of here faster. Get off the clock. Just 'cause the baby is my reason for living, my reason for coming to work"
About this Quote
Fatherhood, in Anderson's telling, doesn’t make work nobler; it makes it louder. The line turns the usual celebrity-patriarch script inside out. Instead of “my child inspires my craft,” he offers a blunt, almost guilty inversion: the baby is the reason he comes to work, and also the reason he wants to leave it. That tension is the point. He’s describing not a spiritual awakening but a new, practical math of time.
The phrasing does a lot of work. “Get out of here faster. Get off the clock.” That’s working-class language smuggled into a Hollywood mouth, and it matters. Acting, especially for a long-running TV star like Anderson, is a job that pretends not to be one: glamorous, privileged, supposedly fueled by passion. By framing it in terms of punching out, he punctures the mythology and admits what parenthood does to priorities: it makes even a dream gig feel like something that steals hours from the real center of your life.
There’s also subtextual self-defense. “I don’t know if this is a change” sounds like someone anticipating judgment - as if wanting to leave work early might be read as laziness or ingratitude. He preemptively claims moral cover: the baby makes him show up, but the baby also makes him restless once he’s there.
In a culture that romanticizes overwork and treats public men’s parenting as optional, Anderson’s candor lands because it’s unheroic. He’s not selling sensitivity; he’s confessing impatience, and that honesty feels oddly radical.
The phrasing does a lot of work. “Get out of here faster. Get off the clock.” That’s working-class language smuggled into a Hollywood mouth, and it matters. Acting, especially for a long-running TV star like Anderson, is a job that pretends not to be one: glamorous, privileged, supposedly fueled by passion. By framing it in terms of punching out, he punctures the mythology and admits what parenthood does to priorities: it makes even a dream gig feel like something that steals hours from the real center of your life.
There’s also subtextual self-defense. “I don’t know if this is a change” sounds like someone anticipating judgment - as if wanting to leave work early might be read as laziness or ingratitude. He preemptively claims moral cover: the baby makes him show up, but the baby also makes him restless once he’s there.
In a culture that romanticizes overwork and treats public men’s parenting as optional, Anderson’s candor lands because it’s unheroic. He’s not selling sensitivity; he’s confessing impatience, and that honesty feels oddly radical.
Quote Details
| Topic | Father |
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