"Being a professional writer is not an easy way to make a living"
About this Quote
Kidder’s line has the blunt, almost deadpan quality of a craft warning: romanticize this job at your own risk. “Professional writer” sounds like a credentialed identity, a stable rung on the cultural ladder. He punctures that fantasy with the plainest possible metric: making a living. Not “making art,” not “finding your voice” - paying rent, keeping health insurance, staying afloat.
The intent is partly corrective, aimed at aspiring writers intoxicated by the glamour of bylines and book tours. But the subtext is also about how the market treats the work. Writing is often framed as a calling, which conveniently licenses underpayment: you’re lucky to be doing what you love. Kidder’s phrasing refuses that bargain. He doesn’t say it’s hard in an abstract, soulful way; he says it’s not an “easy way” to earn. That “easy” matters: it implies other ways exist, more efficient and less punishing, while writing demands long stretches of invisible labor with no guaranteed payout.
Contextually, Kidder comes out of a tradition of American literary journalism where time, reporting, and revision are the point - and also the cost. The line reads like wisdom learned in the gaps between advances, assignments, and the quiet years when you’re still working but no one can see it. It lands now with extra bite, in an attention economy that pays volume and hot takes better than patience, and where “content” has made “writer” feel both ubiquitous and strangely disposable.
The intent is partly corrective, aimed at aspiring writers intoxicated by the glamour of bylines and book tours. But the subtext is also about how the market treats the work. Writing is often framed as a calling, which conveniently licenses underpayment: you’re lucky to be doing what you love. Kidder’s phrasing refuses that bargain. He doesn’t say it’s hard in an abstract, soulful way; he says it’s not an “easy way” to earn. That “easy” matters: it implies other ways exist, more efficient and less punishing, while writing demands long stretches of invisible labor with no guaranteed payout.
Contextually, Kidder comes out of a tradition of American literary journalism where time, reporting, and revision are the point - and also the cost. The line reads like wisdom learned in the gaps between advances, assignments, and the quiet years when you’re still working but no one can see it. It lands now with extra bite, in an attention economy that pays volume and hot takes better than patience, and where “content” has made “writer” feel both ubiquitous and strangely disposable.
Quote Details
| Topic | Writing |
|---|
More Quotes by Tracy
Add to List
