"Being abroad makes you conscious of the whole imitative side of human behavior. The ape in man"
About this Quote
Travel, for Mary McCarthy, isn’t a postcard epiphany; it’s a stripping of camouflage. “Being abroad makes you conscious of the whole imitative side of human behavior” lands like a slap because it refuses the usual travel myth: that distance reveals your “true self.” McCarthy suggests the opposite. Distance reveals how little of us is original, how much is performance, borrowed posture, crowd choreography.
The phrase “imitative side” is doing quiet, clinical work. It implies mimicry not as a childish habit but as a core social technology: we copy accents, manners, moral attitudes, even outrage, because that’s how belonging is manufactured. Abroad, the scripts you’ve unconsciously mastered stop working. You can’t rely on shared cues; you watch yourself reaching for them anyway. That moment of self-observation is where her bite lives.
Then she twists the knife: “The ape in man.” It’s not just insulting; it’s diagnostic. McCarthy frames imitation as evolutionary residue - reflexive, adaptive, faintly ridiculous. The subtext is political as well as personal: national identities, cultural superiority, even cosmopolitan sophistication can be revealed as stylish mimicry, a set of gestures learned to pass.
Context matters: McCarthy, a famously unsentimental critic of American pieties and intellectual pretension, is suspicious of the stories people tell to ennoble themselves. Abroad becomes her laboratory for catching humans mid-act - not in the romance of “culture,” but in the frantic, simian effort to look like we know what we’re doing.
The phrase “imitative side” is doing quiet, clinical work. It implies mimicry not as a childish habit but as a core social technology: we copy accents, manners, moral attitudes, even outrage, because that’s how belonging is manufactured. Abroad, the scripts you’ve unconsciously mastered stop working. You can’t rely on shared cues; you watch yourself reaching for them anyway. That moment of self-observation is where her bite lives.
Then she twists the knife: “The ape in man.” It’s not just insulting; it’s diagnostic. McCarthy frames imitation as evolutionary residue - reflexive, adaptive, faintly ridiculous. The subtext is political as well as personal: national identities, cultural superiority, even cosmopolitan sophistication can be revealed as stylish mimicry, a set of gestures learned to pass.
Context matters: McCarthy, a famously unsentimental critic of American pieties and intellectual pretension, is suspicious of the stories people tell to ennoble themselves. Abroad becomes her laboratory for catching humans mid-act - not in the romance of “culture,” but in the frantic, simian effort to look like we know what we’re doing.
Quote Details
| Topic | Deep |
|---|---|
| Source | Help us find the source |
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