"Being an old radical, I like films like Spartacus. I could relate to the hero"
About this Quote
There is a quiet act of self-identification tucked inside Alex North's offhand line: he isn't just praising Spartacus as entertainment, he's claiming it as a mirror. Calling himself an "old radical" frames his taste as politics with a long memory, not a youthful phase. The phrase reads like a shrug, but it carries the residue of mid-century American pressure, when "radical" could mean union organizing, leftist art circles, or simply being on the wrong side of the blacklist-era moral panic. North lived through that world; he knew how quickly ideology could become a career hazard.
Spartacus works here because it offers a hero who is radical without sounding like a pamphlet: a slave who refuses the terms of his life, then turns personal rebellion into collective action. North isn't saying he relates to the sword-and-sandal spectacle. He's relating to the insistence on dignity, and to the risk embedded in solidarity. The subtext is less "I like freedom" than "I recognize the cost of refusing to comply."
Coming from a composer, the remark also hints at how film music can function as covert argument. North's job is emotion engineering, and Spartacus is a film where emotion and ideology are fused: the score doesn't just accompany heroism, it persuades you that resistance is noble, even inevitable. When he says he could relate to the hero, he's also defending a tradition of politically minded artistry that smuggles conviction into mainstream culture under the cover of epic drama.
Spartacus works here because it offers a hero who is radical without sounding like a pamphlet: a slave who refuses the terms of his life, then turns personal rebellion into collective action. North isn't saying he relates to the sword-and-sandal spectacle. He's relating to the insistence on dignity, and to the risk embedded in solidarity. The subtext is less "I like freedom" than "I recognize the cost of refusing to comply."
Coming from a composer, the remark also hints at how film music can function as covert argument. North's job is emotion engineering, and Spartacus is a film where emotion and ideology are fused: the score doesn't just accompany heroism, it persuades you that resistance is noble, even inevitable. When he says he could relate to the hero, he's also defending a tradition of politically minded artistry that smuggles conviction into mainstream culture under the cover of epic drama.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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