"Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it"
About this Quote
Rosanne Cash smuggles a manifesto into an offhand analogy. By likening the recording studio to painting, she reframes music-making away from the romantic myth of the lightning-strike performance and toward something slower, more tactile: revision, layering, and deliberate choice. “Take your time” is the tell. In a medium that’s often sold as raw feeling and authenticity, Cash insists that depth can be engineered - and that craft isn’t the enemy of sincerity.
The line also carries a quiet generational context. Cash came up in an era when studio time was expensive and the gatekeepers (labels, producers, radio) rewarded speed and polish in narrow doses. To claim the studio as a place where you can “try different things” is a claim of agency. She’s not describing a neutral workspace; she’s describing a protected laboratory where an artist can fail privately, chase a harmony, change a lyric, swap a guitar tone, and still come out with something that feels lived-in rather than merely market-ready.
“Go deep into it” hints at the studio as an interior space, not just an acoustic one. Painting suggests solitude, attention, and the slow discovery of what the song is actually about once you’ve sat with it long enough. In an attention economy that fetishizes immediacy, Cash offers a counter-cultural permission slip: the best art isn’t always captured; sometimes it’s built.
The line also carries a quiet generational context. Cash came up in an era when studio time was expensive and the gatekeepers (labels, producers, radio) rewarded speed and polish in narrow doses. To claim the studio as a place where you can “try different things” is a claim of agency. She’s not describing a neutral workspace; she’s describing a protected laboratory where an artist can fail privately, chase a harmony, change a lyric, swap a guitar tone, and still come out with something that feels lived-in rather than merely market-ready.
“Go deep into it” hints at the studio as an interior space, not just an acoustic one. Painting suggests solitude, attention, and the slow discovery of what the song is actually about once you’ve sat with it long enough. In an attention economy that fetishizes immediacy, Cash offers a counter-cultural permission slip: the best art isn’t always captured; sometimes it’s built.
Quote Details
| Topic | Music |
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