"Believe in yourself and stop trying to convince others"
About this Quote
Self-belief here isn’t the scented-candle version. It’s a streetwise directive from an artist who built a reputation on blunt, public statements: stop auditioning for approval and get back to making the thing. James De La Vega’s work lives in shared space and instant judgment, where every tag or phrase is exposed to the most democratic (and unforgiving) audience imaginable. In that context, “stop trying to convince others” reads less like self-help and more like survival strategy.
The intent is practical: conserve your energy. Convincing is performance, and performance is an endless contract with other people’s moods, gatekeeping, and taste. The subtext is harsher: needing to persuade is a sign you’ve already ceded power. If your sense of worth depends on winning a debate, you’re not creating; you’re campaigning. De La Vega is warning against turning your life into a pitch deck.
There’s also an implicit critique of the validation economy, long before likes and followers made it literal. Artists, especially those working outside institutions, get trained to explain themselves: to justify why the work matters, why they matter, why the risk is worth it. The quote rejects that bargain. It suggests that legitimacy isn’t something you negotiate into existence with the right audience; it’s something you practice privately and prove through repetition.
The line works because it’s a clean severing. It doesn’t promise you’ll be understood. It tells you that’s not the job.
The intent is practical: conserve your energy. Convincing is performance, and performance is an endless contract with other people’s moods, gatekeeping, and taste. The subtext is harsher: needing to persuade is a sign you’ve already ceded power. If your sense of worth depends on winning a debate, you’re not creating; you’re campaigning. De La Vega is warning against turning your life into a pitch deck.
There’s also an implicit critique of the validation economy, long before likes and followers made it literal. Artists, especially those working outside institutions, get trained to explain themselves: to justify why the work matters, why they matter, why the risk is worth it. The quote rejects that bargain. It suggests that legitimacy isn’t something you negotiate into existence with the right audience; it’s something you practice privately and prove through repetition.
The line works because it’s a clean severing. It doesn’t promise you’ll be understood. It tells you that’s not the job.
Quote Details
| Topic | Confidence |
|---|---|
| Source | Help us find the source |
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