"Beside all this I think there was something personal, being Muslim myself who lived in the west I felt that it was my obligation my duty to tell the truth about Islam. It is a religion that has a 700 million following, yet it's so little known about it which surprised me"
About this Quote
Akkad is talking like a filmmaker who’s tired of watching an entire civilization get reduced to a prop. The line carries the pressure of living as a Muslim in the West where “Islam” often arrives prepackaged: exotic when it sells, threatening when it scares, rarely ordinary, almost never authored from within. His insistence on “obligation” and “duty” is more than personal piety; it’s an artistic brief. He’s positioning cinema as a corrective to a media ecosystem that treats ignorance as a genre.
The phrase “tell the truth about Islam” isn’t naive about truth being singular or uncontested. It’s a rhetorical stake in the ground against what he implies is a louder, more profitable untruth. That’s the subtext: representation isn’t neutral, it’s consequential. When a faith with “700 million” adherents can still be “so little known,” Akkad points to a Western cultural imbalance where familiarity is granted selectively, and where the default narrator often isn’t the subject.
Context sharpens the urgency. Akkad built his career trying to mount large-scale historical epics about Islamic history (most famously The Message), projects that faced financing obstacles, political scrutiny, and outright threats. So this isn’t just identity speaking; it’s the cost ledger of trying to make a counter-image. The surprise he mentions is strategic, too: it invites the audience to feel implicated. How can something so big be made so invisible? That question is the engine of his work.
The phrase “tell the truth about Islam” isn’t naive about truth being singular or uncontested. It’s a rhetorical stake in the ground against what he implies is a louder, more profitable untruth. That’s the subtext: representation isn’t neutral, it’s consequential. When a faith with “700 million” adherents can still be “so little known,” Akkad points to a Western cultural imbalance where familiarity is granted selectively, and where the default narrator often isn’t the subject.
Context sharpens the urgency. Akkad built his career trying to mount large-scale historical epics about Islamic history (most famously The Message), projects that faced financing obstacles, political scrutiny, and outright threats. So this isn’t just identity speaking; it’s the cost ledger of trying to make a counter-image. The surprise he mentions is strategic, too: it invites the audience to feel implicated. How can something so big be made so invisible? That question is the engine of his work.
Quote Details
| Topic | Faith |
|---|
More Quotes by Moustapha
Add to List


