"Better reality than a dream: if something is real, then it's real and you're not to blame"
About this Quote
Eco is arguing for an almost bracing moral hygiene: stop laundering your choices through fantasy. The line has the clipped, self-canceling logic of a semiotician who knows how easily we let words do our dirty work. "Better reality than a dream" sounds like a simple preference, but it’s a warning about how dreams - ideals, narratives, "could-have-beens" - become alibis. If you live inside the dream, you can keep claiming purity. Reality, by contrast, is stubborn, untheatrical, and accountable.
Then comes the sly twist: "if something is real, then it's real and you're not to blame". Eco isn’t absolving responsibility; he’s relocating it. You’re not to blame for the fact of the world - for history’s mess, for the way institutions calcify, for the unintended consequences that arrive like weather. The guilt economy many intellectuals traffic in (as if constant self-flagellation were a political program) is another kind of comforting fiction. Accepting reality means giving up the melodrama of personal culpability for everything, which paradoxically clears space for actual agency: you can act without needing to pretend you’re omnipotent.
Context matters: Eco wrote obsessively about forged texts, manufactured meanings, and the seductions of interpretation. He understood how "dreams" - myths, conspiracies, ideological romance - recruit believers by offering emotional coherence. His sentence is a small vaccine against that seduction: face the real, drop the alibi, and trade performative guilt for clear-eyed responsibility.
Then comes the sly twist: "if something is real, then it's real and you're not to blame". Eco isn’t absolving responsibility; he’s relocating it. You’re not to blame for the fact of the world - for history’s mess, for the way institutions calcify, for the unintended consequences that arrive like weather. The guilt economy many intellectuals traffic in (as if constant self-flagellation were a political program) is another kind of comforting fiction. Accepting reality means giving up the melodrama of personal culpability for everything, which paradoxically clears space for actual agency: you can act without needing to pretend you’re omnipotent.
Context matters: Eco wrote obsessively about forged texts, manufactured meanings, and the seductions of interpretation. He understood how "dreams" - myths, conspiracies, ideological romance - recruit believers by offering emotional coherence. His sentence is a small vaccine against that seduction: face the real, drop the alibi, and trade performative guilt for clear-eyed responsibility.
Quote Details
| Topic | Truth |
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