"Books are standing counselors and preachers, always at hand, and always disinterested; having this advantage over oral instructors, that they are ready to repeat their lesson as often as we please"
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Nizer, a courtroom operator by trade, makes a slyly idealistic case for the printed page as the only adviser that can’t be cross-examined into changing its story. Calling books “standing counselors and preachers” borrows the gravitas of law and the moral authority of religion, then domesticates both: no appointments, no ego, no performance. “Always at hand” is convenience, but “always disinterested” is the real provocation. In a profession built on advocacy and incentive, disinterest is the rarest credential.
The subtext is a quiet indictment of live instruction - teachers, clergy, lecturers, even lawyers. Oral guidance is contingent: shaped by mood, audience, status, money, vanity, and the subtle coercions of the room. A book, Nizer argues, can’t sweet-talk you, guilt you, or tailor its message to win you over. Its fixedness becomes a kind of ethics. That’s also why he stresses repetition: you control the tempo. You can return to a paragraph the way you return to evidence, and the text won’t retaliate with impatience or a new spin.
Context matters. Nizer came up in an era that still treated serious reading as self-making, and in law the record is sacred: what’s written is what holds. There’s a lawyerly faith here in the stability of documents, paired with a democratic promise: anyone can summon these “counselors” without gatekeepers. Of course, “disinterested” flatters books more than authors, publishers, and ideologies deserve. But the line works because it sells reading not as leisure, but as autonomy.
The subtext is a quiet indictment of live instruction - teachers, clergy, lecturers, even lawyers. Oral guidance is contingent: shaped by mood, audience, status, money, vanity, and the subtle coercions of the room. A book, Nizer argues, can’t sweet-talk you, guilt you, or tailor its message to win you over. Its fixedness becomes a kind of ethics. That’s also why he stresses repetition: you control the tempo. You can return to a paragraph the way you return to evidence, and the text won’t retaliate with impatience or a new spin.
Context matters. Nizer came up in an era that still treated serious reading as self-making, and in law the record is sacred: what’s written is what holds. There’s a lawyerly faith here in the stability of documents, paired with a democratic promise: anyone can summon these “counselors” without gatekeepers. Of course, “disinterested” flatters books more than authors, publishers, and ideologies deserve. But the line works because it sells reading not as leisure, but as autonomy.
Quote Details
| Topic | Book |
|---|---|
| Source | Help us find the source |
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