"Books that have become classics - books that have had their day and now get more praise than perusal - always remind me of retired colonels and majors and captains who, having reached the age limit, find themselves retired on half pay"
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Aldrich skewers “the classics” by treating them less like sacred texts and more like decorated veterans wheeled out for parades. The line is funny because it’s impolite in a very controlled way: he doesn’t attack the books’ quality so much as the social ritual around them. A classic, in his framing, is a title that has “had its day” and now survives on ceremony. The sting sits in that sly pivot from “praise” to “perusal” - admiration that never risks the inconvenience of reading.
The military comparison does extra work. Retired officers on half pay still carry rank, uniform, and deference, even as their real authority has ebbed. Likewise, classics retain cultural insignia: they’re cited, assigned, name-dropped, stacked on shelves as proof of seriousness. Aldrich hints that the canon can become a pension system for reputations, sustained by institutions that reward showing respect more than showing engagement. It’s not anti-literary so much as anti-pretension: he’s irritated by the way reverence becomes a substitute for relationship.
Context matters: Aldrich wrote in a late-19th-century American literary world anxious about taste, inheritance, and cultural legitimacy, importing European “great books” while trying to define a national literature. His jab lands on that anxious middle-class habit of treating culture as moral credential. The quote’s intent isn’t to demote classics, but to embarrass the reader into a simple challenge: if these books still deserve their medals, we should actually put them back in active service.
The military comparison does extra work. Retired officers on half pay still carry rank, uniform, and deference, even as their real authority has ebbed. Likewise, classics retain cultural insignia: they’re cited, assigned, name-dropped, stacked on shelves as proof of seriousness. Aldrich hints that the canon can become a pension system for reputations, sustained by institutions that reward showing respect more than showing engagement. It’s not anti-literary so much as anti-pretension: he’s irritated by the way reverence becomes a substitute for relationship.
Context matters: Aldrich wrote in a late-19th-century American literary world anxious about taste, inheritance, and cultural legitimacy, importing European “great books” while trying to define a national literature. His jab lands on that anxious middle-class habit of treating culture as moral credential. The quote’s intent isn’t to demote classics, but to embarrass the reader into a simple challenge: if these books still deserve their medals, we should actually put them back in active service.
Quote Details
| Topic | Book |
|---|---|
| Source | Help us find the source |
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