"Brittany Murphy... who knows if she's going to be around. Kirsten Dunst, I think she's really boring. Reese Witherspoon? She can open a movie"
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Jackie Collins lands this like a gossip columnist with a switchblade: breezy, name-droppy, and calibrated to sting. The ellipses do a lot of work. They mimic the casual cadence of insider chatter, the kind that pretends to be offhand while making sure every syllable hits its mark. “Who knows if she’s going to be around” isn’t just a crack about Brittany Murphy’s career volatility; it’s a reminder that in Hollywood, “around” means employable, bankable, visible. Existence is conditional.
Then she pivots to Kirsten Dunst with surgical flatness: “really boring.” No nuance, no craft talk, no respectability politics. Collins isn’t reviewing performances; she’s reviewing market mythology. The subtext is that charisma and scandal are currencies, and “boring” is the one unforgivable sin because it doesn’t generate copy, heat, or fantasy.
The Witherspoon line is the tell: “She can open a movie.” That’s not an opinion, it’s a box-office metric, delivered like a compliment and a verdict at once. Collins is ranking women by durability and revenue, reflecting an industry that treats actresses as both product and risk profile. Coming from a novelist whose brand was sex, power, and the machinery of fame, it’s also self-portraiture: she writes what Hollywood runs on, and she talks the way it talks when the microphones are “off.”
The intent isn’t fairness; it’s dominance. Collins performs proximity to power by sounding like she can grant or revoke relevance on command. That’s the cruelty and the craft: she makes celebrity feel flimsy, then sells you the thrill of watching it wobble.
Then she pivots to Kirsten Dunst with surgical flatness: “really boring.” No nuance, no craft talk, no respectability politics. Collins isn’t reviewing performances; she’s reviewing market mythology. The subtext is that charisma and scandal are currencies, and “boring” is the one unforgivable sin because it doesn’t generate copy, heat, or fantasy.
The Witherspoon line is the tell: “She can open a movie.” That’s not an opinion, it’s a box-office metric, delivered like a compliment and a verdict at once. Collins is ranking women by durability and revenue, reflecting an industry that treats actresses as both product and risk profile. Coming from a novelist whose brand was sex, power, and the machinery of fame, it’s also self-portraiture: she writes what Hollywood runs on, and she talks the way it talks when the microphones are “off.”
The intent isn’t fairness; it’s dominance. Collins performs proximity to power by sounding like she can grant or revoke relevance on command. That’s the cruelty and the craft: she makes celebrity feel flimsy, then sells you the thrill of watching it wobble.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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