"Business was his aversion; Pleasure was his business"
About this Quote
A neat little inversion like this is Edgeworth at her sharpest: the sentence turns on a chiasmus that feels almost like a snapped fan, folding “business” and “pleasure” into each other until they trade places. The wit isn’t ornamental. It’s diagnostic. By declaring “Business was his aversion; Pleasure was his business,” Edgeworth sketches a character whose identity is built on refusal, and whose industry is devoted to leisure with the grim focus other people reserve for work.
The subtext cuts into a class system where “business” is both moral duty and social marker. In late 18th- and early 19th-century Britain and Ireland, the rising prestige of improvement, management, and practical labor sat awkwardly alongside an aristocratic ideal that treated idleness as proof of status. Edgeworth, a novelist obsessed with education, property, and the ethics of competence, weaponizes that tension: this man doesn’t merely enjoy pleasure; he professionalizes it. He’s not carefree, he’s committed-to-avoidance. That’s why the line stings.
The phrase also exposes a kind of proto-modern pathology: turning life into a project, even when the project is escape. “Pleasure” here isn’t liberation; it’s a schedule, a portfolio, a brand. Edgeworth’s intent is to make the reader laugh and then recognize the hollowness behind the laugh: a life that treats responsibility as contamination ends up making frivolity into labor, and labor into an enemy.
The subtext cuts into a class system where “business” is both moral duty and social marker. In late 18th- and early 19th-century Britain and Ireland, the rising prestige of improvement, management, and practical labor sat awkwardly alongside an aristocratic ideal that treated idleness as proof of status. Edgeworth, a novelist obsessed with education, property, and the ethics of competence, weaponizes that tension: this man doesn’t merely enjoy pleasure; he professionalizes it. He’s not carefree, he’s committed-to-avoidance. That’s why the line stings.
The phrase also exposes a kind of proto-modern pathology: turning life into a project, even when the project is escape. “Pleasure” here isn’t liberation; it’s a schedule, a portfolio, a brand. Edgeworth’s intent is to make the reader laugh and then recognize the hollowness behind the laugh: a life that treats responsibility as contamination ends up making frivolity into labor, and labor into an enemy.
Quote Details
| Topic | Witty One-Liners |
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