"But back to your question, it was a wonderful experience with the Art Ensemble, and I keep in contact and sort of follow what's going on, but it was also very important to make this step, you may say this leap of faith"
About this Quote
What makes Joseph Jarman's line land isn’t polish; it’s the sound of someone thinking out loud at the exact moment a life decision still feels slightly unstable. The opening, “But back to your question,” is more than conversational housekeeping. It signals a musician trained in improvisation: he’s aware of digressions, aware of the audience, and intent on returning to the theme without pretending the detour didn’t matter.
Jarman frames his time with the Art Ensemble as “wonderful,” then immediately complicates it. “I keep in contact and sort of follow what’s going on” carries a careful distance. He’s not disowning the collective, but he’s also not claiming ongoing membership. That “sort of” is doing real work: it softens the break, acknowledges lingering loyalty, and hints at the emotional cost of stepping away from a group whose identity was famously communal and experimental.
Then comes the pivot: “very important to make this step… this leap of faith.” He corrects himself mid-sentence, upgrading “step” to “leap,” and the shift captures the scale of the risk. In creative careers, leaving a celebrated context can look like self-sabotage; Jarman reframes it as necessity. The “leap of faith” language borrows from spirituality and trust, suggesting that artistic evolution isn’t just strategic planning - it’s a wager on the self, made without guarantees, while still carrying the past with respect.
Jarman frames his time with the Art Ensemble as “wonderful,” then immediately complicates it. “I keep in contact and sort of follow what’s going on” carries a careful distance. He’s not disowning the collective, but he’s also not claiming ongoing membership. That “sort of” is doing real work: it softens the break, acknowledges lingering loyalty, and hints at the emotional cost of stepping away from a group whose identity was famously communal and experimental.
Then comes the pivot: “very important to make this step… this leap of faith.” He corrects himself mid-sentence, upgrading “step” to “leap,” and the shift captures the scale of the risk. In creative careers, leaving a celebrated context can look like self-sabotage; Jarman reframes it as necessity. The “leap of faith” language borrows from spirituality and trust, suggesting that artistic evolution isn’t just strategic planning - it’s a wager on the self, made without guarantees, while still carrying the past with respect.
Quote Details
| Topic | Music |
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