"But by us doing a lot on the road, we were able to afford things like videos on the tours, cartoons that we'd open up the shows with. We were doing that way back when and now it's the hippest thing to do. We're just coming back around, I guess trying to play catch-up"
About this Quote
Bootsy Collins is casually reminding you that “innovation” in pop culture is often just memory loss with a better budget. In his telling, the band’s relentless touring wasn’t only grind; it was infrastructure. The road funded the spectacle: tour videos, cartoons, the kind of pre-show world-building that turns a concert into a universe. That detail matters because it reframes the mythology of funk. This wasn’t chaos and charisma alone; it was a production strategy, financed the old-fashioned way: by staying booked.
The subtext is a quiet flex with a laugh in it. Bootsy points to a cycle where the industry crowns something “the hippest thing” right when it’s been safely repackaged, de-risked, and made legible for the mainstream. His punchline - “we’re just coming back around” - lands as both self-deprecating and accusatory. It’s funny to imagine the originators “playing catch-up,” but that’s the point: the people who invented the language often have to chase their own vocabulary once it’s been redistributed.
Contextually, it’s a snapshot of how Black musical futurism gets processed. Funk’s cartoonish sci-fi, its costumes and skits and characters, were never gimmicks; they were narrative armor and an invitation into an alternate reality. Today’s pop tours lean hard on lore, interludes, and cinematic preludes, sold as cutting-edge experiential branding. Bootsy’s line punctures the hype: the future was already onstage, then history took the credit.
The subtext is a quiet flex with a laugh in it. Bootsy points to a cycle where the industry crowns something “the hippest thing” right when it’s been safely repackaged, de-risked, and made legible for the mainstream. His punchline - “we’re just coming back around” - lands as both self-deprecating and accusatory. It’s funny to imagine the originators “playing catch-up,” but that’s the point: the people who invented the language often have to chase their own vocabulary once it’s been redistributed.
Contextually, it’s a snapshot of how Black musical futurism gets processed. Funk’s cartoonish sci-fi, its costumes and skits and characters, were never gimmicks; they were narrative armor and an invitation into an alternate reality. Today’s pop tours lean hard on lore, interludes, and cinematic preludes, sold as cutting-edge experiential branding. Bootsy’s line punctures the hype: the future was already onstage, then history took the credit.
Quote Details
| Topic | Music |
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