"But death's acquisitive instincts will win"
About this Quote
Death gets cast, all too often, as a neutral event: a door closing, a curtain falling, a quiet cessation. Brodkey spikes that comfort with a predator’s verb. “Acquisitive instincts” turns death into a creature with appetite and strategy, something that doesn’t merely arrive but takes. The line is chilling because it reframes mortality as theft: not just of breath, but of accumulated selfhood - habits, relationships, unfinished sentences, the private interior life that literature is built to honor.
Brodkey’s choice of “will win” is equally ruthless. It’s not metaphysical, it’s procedural. Winning implies a contest, a duration, a back-and-forth of resistance. That’s the lived experience of illness: the daily negotiations with pain, treatments, optimism, denial, caretaking. Brodkey, who wrote with obsessive intimacy about consciousness and the body, understood that dying isn’t a single dramatic moment; it’s an extended siege where the mind keeps trying to narrate its way out. This sentence refuses the redemptive arc. Death isn’t a moral reckoner or a poetic equalizer. It’s acquisitive, and it succeeds.
The subtext carries a bitter critique of the stories we tell to domesticate endings - the language of “passing,” “rest,” “closure.” Brodkey’s diction yanks us back to the ugly economics of loss: death as a collector that always gets paid, no matter how articulate, beloved, or brilliant the debtor. In that bluntness is a kind of integrity: if you’re going to look straight at mortality, don’t pretend it has manners.
Brodkey’s choice of “will win” is equally ruthless. It’s not metaphysical, it’s procedural. Winning implies a contest, a duration, a back-and-forth of resistance. That’s the lived experience of illness: the daily negotiations with pain, treatments, optimism, denial, caretaking. Brodkey, who wrote with obsessive intimacy about consciousness and the body, understood that dying isn’t a single dramatic moment; it’s an extended siege where the mind keeps trying to narrate its way out. This sentence refuses the redemptive arc. Death isn’t a moral reckoner or a poetic equalizer. It’s acquisitive, and it succeeds.
The subtext carries a bitter critique of the stories we tell to domesticate endings - the language of “passing,” “rest,” “closure.” Brodkey’s diction yanks us back to the ugly economics of loss: death as a collector that always gets paid, no matter how articulate, beloved, or brilliant the debtor. In that bluntness is a kind of integrity: if you’re going to look straight at mortality, don’t pretend it has manners.
Quote Details
| Topic | Mortality |
|---|
More Quotes by Harold
Add to List






