"But even though all this was going on at home, if someone had tried to take me away and put me in a children's home, I couldn't have handled it. Even though my mother was very brutal, it was my home"
About this Quote
The gut-punch here is the refusal to let outsiders tidy up a messy life. Johnston frames the line like a confession she’s still negotiating: yes, the household is violent, but removal would have been its own kind of violence. That tension is the intent. She isn’t excusing brutality; she’s naming the psychological math a child does when survival depends on continuity, even if the continuity is harm.
The subtext is about belonging as a physical place, not a moral one. “Home” lands as a stubborn noun: not comfort, not safety, just the one terrain she knows how to navigate. The phrase “couldn’t have handled it” signals something that social systems often underestimate - the trauma of disruption, the way institutional “rescue” can feel like erasure. Johnston’s bluntness also exposes the thin line between protection and punishment when the state intervenes: being “put” somewhere, being processed, being translated into a case file.
Context matters because Johnston is a cartoonist, a profession built on compressing whole lifetimes into a few panels and a clean line. She writes with that same economy: “very brutal” is stark, almost flat, and that flatness reads as learned restraint, the voice of someone who’s had to normalize the unthinkable to keep moving. The quote’s power comes from its moral discomfort. It forces the reader to sit with a reality that doesn’t reward simple heroes: the child who wants out and also can’t leave, the adult who can name the harm and still mourn the idea of being taken away.
The subtext is about belonging as a physical place, not a moral one. “Home” lands as a stubborn noun: not comfort, not safety, just the one terrain she knows how to navigate. The phrase “couldn’t have handled it” signals something that social systems often underestimate - the trauma of disruption, the way institutional “rescue” can feel like erasure. Johnston’s bluntness also exposes the thin line between protection and punishment when the state intervenes: being “put” somewhere, being processed, being translated into a case file.
Context matters because Johnston is a cartoonist, a profession built on compressing whole lifetimes into a few panels and a clean line. She writes with that same economy: “very brutal” is stark, almost flat, and that flatness reads as learned restraint, the voice of someone who’s had to normalize the unthinkable to keep moving. The quote’s power comes from its moral discomfort. It forces the reader to sit with a reality that doesn’t reward simple heroes: the child who wants out and also can’t leave, the adult who can name the harm and still mourn the idea of being taken away.
Quote Details
| Topic | Mother |
|---|---|
| Source | Help us find the source |
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