"But I absolutely believe that architecture is a social activity that has to do with some sort of communication or places of interaction, and that to change the environment is to change behaviour"
About this Quote
Mayne is smuggling a provocation into what sounds like a professional platitude: buildings are not backdrops, they are behavioral scripts. Coming from an architect whose work often courts friction and intensity, the line reads less like kumbaya urbanism and more like a warning about power. If architecture is "communication", then every facade, corridor, threshold, and blank wall is a sentence directed at the public: come here, don’t linger, move faster, look up, feel watched, feel welcome.
The phrasing matters. "Absolutely believe" signals a stance against the stubborn myth of architecture as neutral object-making - the museum piece dropped onto a site and photographed into meaning. Mayne insists on "places of interaction", pulling the discipline out of the studio and into the messy realm of crowds, policing, accessibility, and who gets to feel like they belong. "Social activity" recasts the architect from auteur to choreographer, but also to engineer: you can design a plaza that invites protest or one that dissolves it into circulation.
The kicker is the second clause: changing environment changes behavior. It's a compact statement of environmental determinism, and it lands because it's both obvious and unsettling. Obvious, because anyone who's sat under harsh lighting in a waiting room knows space shapes mood. Unsettling, because it implies intent and accountability. If the built world can nudge choices, then design becomes an ethical practice with political consequences - not just aesthetics, but the quiet governance of everyday life.
The phrasing matters. "Absolutely believe" signals a stance against the stubborn myth of architecture as neutral object-making - the museum piece dropped onto a site and photographed into meaning. Mayne insists on "places of interaction", pulling the discipline out of the studio and into the messy realm of crowds, policing, accessibility, and who gets to feel like they belong. "Social activity" recasts the architect from auteur to choreographer, but also to engineer: you can design a plaza that invites protest or one that dissolves it into circulation.
The kicker is the second clause: changing environment changes behavior. It's a compact statement of environmental determinism, and it lands because it's both obvious and unsettling. Obvious, because anyone who's sat under harsh lighting in a waiting room knows space shapes mood. Unsettling, because it implies intent and accountability. If the built world can nudge choices, then design becomes an ethical practice with political consequences - not just aesthetics, but the quiet governance of everyday life.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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