"But I do have an idea in my head before I go in about what I'm going to do"
About this Quote
There is a whole philosophy of performance tucked into Corr's offhand concession: yes, spontaneity is part of the magic, but no, the magic is not an accident. "But" is doing the heavy lifting. It answers an unspoken stereotype about musicians - that they simply drift into a room and channel vibes - with a practical, almost workmanlike correction. The line doesn’t romanticize inspiration; it quietly defends preparation as the invisible scaffolding that makes an onstage moment feel alive.
The phrasing matters. "An idea in my head" is deliberately modest: not a rigid script, not a grand concept, just a mental map. That downshifts ego and leaves room for the real-world variables Corr is actually signaling she respects: the band, the crowd, the room, the mood, the technical constraints. You can hear the musician's split-brain reality in it: part craftsperson, part improviser. The idea comes "before I go in", implying a threshold - studio door, rehearsal space, stage entrance - where intention is set and then tested.
In cultural terms, it’s a subtle rebuttal to the "effortless" myth that still shadows pop and folk performance, especially for artists expected to be both authentic and uncalculated. Corr points to a third lane: authenticity as a choice you premeditate. The subtext is competence, discipline, and agency - a reminder that what feels natural to an audience is often the result of someone deciding, in advance, how to make it look that way.
The phrasing matters. "An idea in my head" is deliberately modest: not a rigid script, not a grand concept, just a mental map. That downshifts ego and leaves room for the real-world variables Corr is actually signaling she respects: the band, the crowd, the room, the mood, the technical constraints. You can hear the musician's split-brain reality in it: part craftsperson, part improviser. The idea comes "before I go in", implying a threshold - studio door, rehearsal space, stage entrance - where intention is set and then tested.
In cultural terms, it’s a subtle rebuttal to the "effortless" myth that still shadows pop and folk performance, especially for artists expected to be both authentic and uncalculated. Corr points to a third lane: authenticity as a choice you premeditate. The subtext is competence, discipline, and agency - a reminder that what feels natural to an audience is often the result of someone deciding, in advance, how to make it look that way.
Quote Details
| Topic | Decision-Making |
|---|---|
| Source | Help us find the source |
More Quotes by Caroline
Add to List


