"But I say these things in an objective dispassionate manner because, you know, and I can't explain why, but being one of the greatest guitarists in the world simply is not very important to me"
About this Quote
Fahey’s genius move here is to parody the very machinery that manufactures “greatest guitarist” as a usable identity. The line opens with mock-formality - “objective,” “dispassionate” - the kind of self-certifying tone you’d expect from awards juries, label copy, or a magazine profile eager to turn a living player into a ranked product. Then he punctures it: “because, you know,” a casual shrug that drags the statement back down to the human scale, where myth-making sounds faintly ridiculous.
The best part is the double bind he sets for the listener. He can’t deny the greatness without sounding coy, but he also refuses to wear it like a crown. “I can’t explain why” is strategic opacity: an artist declining to provide the neat psychological backstory the culture industry demands. It’s also a quiet defense of interior life. Fahey’s work - instrumental, anti-flashy, steeped in American vernacular and private obsession - doesn’t beg for validation in the way guitar heroism does. His playing is less “look what I can do” than “listen to what I’m hearing.”
Context matters: Fahey came up alongside, and often against, the rock-era cult of virtuosity. By treating “one of the greatest in the world” as “not very important,” he’s not pretending humility so much as refusing the premise that importance equals public ranking. The subtext is a rebuke: if greatness needs to be announced, it’s already a little suspect.
The best part is the double bind he sets for the listener. He can’t deny the greatness without sounding coy, but he also refuses to wear it like a crown. “I can’t explain why” is strategic opacity: an artist declining to provide the neat psychological backstory the culture industry demands. It’s also a quiet defense of interior life. Fahey’s work - instrumental, anti-flashy, steeped in American vernacular and private obsession - doesn’t beg for validation in the way guitar heroism does. His playing is less “look what I can do” than “listen to what I’m hearing.”
Context matters: Fahey came up alongside, and often against, the rock-era cult of virtuosity. By treating “one of the greatest in the world” as “not very important,” he’s not pretending humility so much as refusing the premise that importance equals public ranking. The subtext is a rebuke: if greatness needs to be announced, it’s already a little suspect.
Quote Details
| Topic | Humility |
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