"But I think the one thing that I can say about us is that we're very consistent about certain things and part of that is our desire to do the very best work that we can and not rest on our laurels, or not allow formula to come into what we do"
About this Quote
Consistency is usually shorthand for predictability. Michael Stipe flips it into a kind of discipline: the band is consistent not in sound, but in refusal to calcify. That’s a musician’s tightrope walk, especially for a group like R.E.M. whose longevity could have easily turned their own aesthetic into a brand template. He’s defending a paradox: the only stable identity worth having is a commitment to change.
The phrasing does quiet work. “Certain things” stays deliberately vague, as if naming the values would turn them into slogans. “Desire” and “the very best work” frame craft as appetite rather than obligation, a subtle rebuttal to the rock myth of effortless genius. Then he drops the real enemy: “laurels” and “formula.” Those are not just creative dangers; they’re industry pressures. By the time you’re successful, “formula” isn’t simply laziness, it’s a business model being pitched at you by radio, labels, and even fans who want the old feeling on demand.
Stipe’s repetition - “not rest… or not allow…” - reads like someone talking himself into vigilance. It suggests an awareness that comfort is seductive, that the easiest way to stay loved is to keep giving people what they already applauded. The subtext is protective: R.E.M. is asserting authorship over its arc, insisting that consistency can mean standards, not sameness, and that relevance is earned by resisting the soft tyranny of your own greatest hits.
The phrasing does quiet work. “Certain things” stays deliberately vague, as if naming the values would turn them into slogans. “Desire” and “the very best work” frame craft as appetite rather than obligation, a subtle rebuttal to the rock myth of effortless genius. Then he drops the real enemy: “laurels” and “formula.” Those are not just creative dangers; they’re industry pressures. By the time you’re successful, “formula” isn’t simply laziness, it’s a business model being pitched at you by radio, labels, and even fans who want the old feeling on demand.
Stipe’s repetition - “not rest… or not allow…” - reads like someone talking himself into vigilance. It suggests an awareness that comfort is seductive, that the easiest way to stay loved is to keep giving people what they already applauded. The subtext is protective: R.E.M. is asserting authorship over its arc, insisting that consistency can mean standards, not sameness, and that relevance is earned by resisting the soft tyranny of your own greatest hits.
Quote Details
| Topic | Work Ethic |
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