"But I thought, I've just got to check out Hollywood, so I sent out pictures and resumes"
About this Quote
There is a particular kind of American audacity tucked into Delta Burke's offhand phrasing: not destiny, not a grand calling, just "I've just got to". The line reads like a shrug, but it's a shrug that contains a whole logistics chain of ambition. Hollywood, in this telling, isn't a mythic mountaintop; it's a place you "check out", like a store or a city you might move to if the rent makes sense. That casualness is the point. It deflates the romance of show business while quietly revealing how much nerve it takes to act casual about walking into the industry's meat grinder.
The subtext lives in the method: "sent out pictures and resumes". Burke frames aspiration as admin work. Before agents, before red carpets, there is paper, postage, repetition. It's a small but telling correction to the fantasy that careers arrive by lightning bolt. You can hear the self-protection, too: making the leap sound practical keeps failure from sounding catastrophic. If it doesn't work, she was only "checking it out". If it does, she gets to claim agency without sounding self-mythologizing.
Context matters: a young actress in the late 1970s and early 1980s faced a marketplace that sorted women fast and often cruelly, with headshots as both currency and cage. Burke's matter-of-fact tone hints at a larger reality: Hollywood invites you in through the mail slot, then judges you like an image first and a person second. The quote works because it captures that double bind in one breezy sentence: ambition disguised as practicality, vulnerability disguised as hustle.
The subtext lives in the method: "sent out pictures and resumes". Burke frames aspiration as admin work. Before agents, before red carpets, there is paper, postage, repetition. It's a small but telling correction to the fantasy that careers arrive by lightning bolt. You can hear the self-protection, too: making the leap sound practical keeps failure from sounding catastrophic. If it doesn't work, she was only "checking it out". If it does, she gets to claim agency without sounding self-mythologizing.
Context matters: a young actress in the late 1970s and early 1980s faced a marketplace that sorted women fast and often cruelly, with headshots as both currency and cage. Burke's matter-of-fact tone hints at a larger reality: Hollywood invites you in through the mail slot, then judges you like an image first and a person second. The quote works because it captures that double bind in one breezy sentence: ambition disguised as practicality, vulnerability disguised as hustle.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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