"But I try not to become preoccupied with that because with whatever direction I follow, with whatever advice I've followed or not followed, It's landed me in New York, in a very beautiful hotel, talking to people about something that I love. So I ain't that far off"
About this Quote
There’s a refreshingly unglamorous wisdom in La Salle’s shrug-at-fate logic: stop obsessing over the alternate timelines, because the timeline you’re in has receipts. The line is built like an actor’s backstage aside, not a manifesto. He starts with the temptation everyone knows - the mental spiral of “what if I’d listened, what if I hadn’t” - then cuts it off with a practical inventory: New York, a beautiful hotel, a room full of people, a conversation about the thing he loves. It’s a humble flex dressed up as gratitude.
The intent reads like self-protection. In an industry that runs on rejection, reinvention, and other people’s decisions, “preoccupied” is the danger word. Rumination becomes its own form of unemployment. La Salle’s move is to reclaim agency without pretending he controlled every break: whatever choices, whatever advice, the outcome isn’t catastrophe. That’s not destiny-talk; it’s emotional management.
The subtext is also a quiet rebuke to the mythology of the perfect career path. Advice, in show business especially, is often hindsight disguised as certainty. By grouping “followed or not followed” together, he levels it: the guru class doesn’t get to narrate your life as a simple cause-and-effect chart.
Context matters: New York and the hotel signal press, promotion, cultural legitimacy. “I ain’t that far off” lands as working-class vernacular turned philosophical thesis: measure success by proximity to the work you love, not by imaginary versions of yourself who made “better” choices.
The intent reads like self-protection. In an industry that runs on rejection, reinvention, and other people’s decisions, “preoccupied” is the danger word. Rumination becomes its own form of unemployment. La Salle’s move is to reclaim agency without pretending he controlled every break: whatever choices, whatever advice, the outcome isn’t catastrophe. That’s not destiny-talk; it’s emotional management.
The subtext is also a quiet rebuke to the mythology of the perfect career path. Advice, in show business especially, is often hindsight disguised as certainty. By grouping “followed or not followed” together, he levels it: the guru class doesn’t get to narrate your life as a simple cause-and-effect chart.
Context matters: New York and the hotel signal press, promotion, cultural legitimacy. “I ain’t that far off” lands as working-class vernacular turned philosophical thesis: measure success by proximity to the work you love, not by imaginary versions of yourself who made “better” choices.
Quote Details
| Topic | Contentment |
|---|---|
| Source | Help us find the source |
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