"But I won't work with the exact same crew film after film because I feel the work would get a little complacent"
About this Quote
Leconte is poking at a sacred industry comfort: the “family” crew that follows a director from set to set, turning a volatile art into a well-oiled traveling company. His phrasing is polite, almost managerial, but the charge is clear. Complacency isn’t just laziness; it’s a slow, invisible drift toward predictability, where everyone knows the rhythms so well that nobody risks disrupting them. In cinema, that ease can read as competence right up until it calcifies into style-by-default.
The intent here is practical and aesthetic at once. Practically, a rotating crew refreshes the set’s social chemistry; it prevents hierarchies from hardening and keeps problem-solving alive. Aesthetically, it’s a refusal of auteur branding as a closed system. Leconte, a director associated with tonal agility (from intimate character work to darker comedy), is defending his ability to change registers without dragging along a single, unified “look” or workflow that would quietly steer every project back to familiar solutions.
The subtext is also a small rebuke to the myth that loyalty automatically equals artistry. In film culture, long-running collaborations get romanticized as proof of genius and trust. Leconte suggests the opposite risk: trust can become autopilot, and autopilot is death to a medium built on attention. By naming complacency, he frames novelty not as a gimmick but as a professional discipline: new collaborators force you to re-explain your instincts, re-earn your authority, and re-encounter the material with friction. That friction is where choices become visible again.
The intent here is practical and aesthetic at once. Practically, a rotating crew refreshes the set’s social chemistry; it prevents hierarchies from hardening and keeps problem-solving alive. Aesthetically, it’s a refusal of auteur branding as a closed system. Leconte, a director associated with tonal agility (from intimate character work to darker comedy), is defending his ability to change registers without dragging along a single, unified “look” or workflow that would quietly steer every project back to familiar solutions.
The subtext is also a small rebuke to the myth that loyalty automatically equals artistry. In film culture, long-running collaborations get romanticized as proof of genius and trust. Leconte suggests the opposite risk: trust can become autopilot, and autopilot is death to a medium built on attention. By naming complacency, he frames novelty not as a gimmick but as a professional discipline: new collaborators force you to re-explain your instincts, re-earn your authority, and re-encounter the material with friction. That friction is where choices become visible again.
Quote Details
| Topic | Work Ethic |
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