"But inspiration? - That's when you come home from abroad and are asked: Well, have you found inspiration? - and fortunately you haven't. But the impressions sink in, of course, and may emerge later: None of us has invented the house; that was done many thousands of years ago"
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Jacobsen skewers the tourist fantasy of creativity: the idea that you can fly somewhere, harvest a mood like a souvenir, and return with “inspiration” neatly packaged for the next project. His dash-and-question-mark rhythm reads like a raised eyebrow in print, and the punchline is deliciously deflationary: “fortunately you haven’t.” For an architect associated with clean lines and disciplined modernism, this is less ascetic posturing than a warning against the tyranny of the clever new thing.
The subtext is professional ethics. Architecture isn’t a canvas for spontaneous self-expression; it’s an accumulated, communal craft. When he reminds us “None of us has invented the house,” he’s dismantling the heroic myth of the lone genius. The basic problems are ancient: shelter, light, privacy, durability, how bodies move through space. Pretending you “found inspiration” abroad can become a way to dodge those fundamentals, or worse, to justify importing a look divorced from local use and life.
Jacobsen still grants travel its quieter power: impressions “sink in” and “may emerge later.” That’s the real mechanism he’s defending: slow assimilation rather than instant revelation. He’s describing a creative digestion process that resists trend-chasing and respects precedent without becoming nostalgic. In the mid-century context - when modernism was busy claiming novelty as moral superiority - Jacobsen is saying: calm down. You’re not inventing houses. You’re learning how to make them, again, with better judgment.
The subtext is professional ethics. Architecture isn’t a canvas for spontaneous self-expression; it’s an accumulated, communal craft. When he reminds us “None of us has invented the house,” he’s dismantling the heroic myth of the lone genius. The basic problems are ancient: shelter, light, privacy, durability, how bodies move through space. Pretending you “found inspiration” abroad can become a way to dodge those fundamentals, or worse, to justify importing a look divorced from local use and life.
Jacobsen still grants travel its quieter power: impressions “sink in” and “may emerge later.” That’s the real mechanism he’s defending: slow assimilation rather than instant revelation. He’s describing a creative digestion process that resists trend-chasing and respects precedent without becoming nostalgic. In the mid-century context - when modernism was busy claiming novelty as moral superiority - Jacobsen is saying: calm down. You’re not inventing houses. You’re learning how to make them, again, with better judgment.
Quote Details
| Topic | Travel |
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