"But it was great, we sit in the same dressing room where, like, Johnny Cash sat and Willie Nelson and all those guys. That was in itself something amazing - I was on the same space these guys stood on, ya know?"
About this Quote
The awe here isn’t about celebrity proximity so much as lineage: a punk-noise provocateur measuring himself against the sacred geometry of American music myth. Alan Vega talks like someone trying to play it cool and failing in the most human way. The “like” and “ya know?” aren’t verbal clutter; they’re a hedge against sounding reverent in a culture that prizes detachment. Vega can’t quite admit he’s moved, so he stages it as casual talk, letting the emotion leak through anyway.
The dressing room becomes a reliquary. Cash and Nelson aren’t named as private influences; they’re invoked as national monuments, shorthand for authenticity, outlaw credibility, and an older idea of the road. Vega’s career with Suicide was built on abrasion and confrontation, music that treated tradition like something to fight. Yet in this moment he’s not demolishing the past; he’s asking to be admitted into it. “Same space these guys stood on” frames artistry as physical continuity, almost religious: the idea that greatness leaves residue in a room, and you can feel it under your shoes.
There’s also an outsider’s victory tucked inside the wonder. Vega came up from the margins, from galleries and grimy clubs, often misunderstood. Standing where “all those guys” stood is a quiet validation that the fringe can end up on the same map as the canon. The intent is simple brag-less bragging: not “I’m one of them,” but “I can’t believe I’m even near the place where it happened.”
The dressing room becomes a reliquary. Cash and Nelson aren’t named as private influences; they’re invoked as national monuments, shorthand for authenticity, outlaw credibility, and an older idea of the road. Vega’s career with Suicide was built on abrasion and confrontation, music that treated tradition like something to fight. Yet in this moment he’s not demolishing the past; he’s asking to be admitted into it. “Same space these guys stood on” frames artistry as physical continuity, almost religious: the idea that greatness leaves residue in a room, and you can feel it under your shoes.
There’s also an outsider’s victory tucked inside the wonder. Vega came up from the margins, from galleries and grimy clubs, often misunderstood. Standing where “all those guys” stood is a quiet validation that the fringe can end up on the same map as the canon. The intent is simple brag-less bragging: not “I’m one of them,” but “I can’t believe I’m even near the place where it happened.”
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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