"But reason always cuts a poor figure beside sentiment; the one being essentially restricted, like everything that is positive, while the other is infinite"
About this Quote
Reason is the competent clerk in Balzac's universe: tidy, limited, and doomed to look shabby next to emotion’s theatrical abundance. The line flatters sentiment not because Balzac is anti-intellectual, but because he’s anatomizing how people actually move through society. Rationality is "positive" in the literal sense: it deals in what can be counted, proven, and agreed upon. That makes it useful, yet rhetorically weak. Sentiment, by contrast, is "infinite" precisely because it’s uncheckable. It can swell to fit any desire, excuse any contradiction, sanctify any self-image. In the marketplace of persuasion, that elasticity wins.
The subtext is quietly brutal: we don’t just feel; we recruit feeling to outrun the constraints of reality. "Cuts a poor figure" is social language, not philosophical language. Balzac is thinking in terms of appearances, performance, and status - the salon, the marriage plot, the financial scheme dressed up as romance. Reason’s problem isn’t that it’s wrong; it’s that it lacks spectacle. Sentiment has costume changes.
Placed in Balzac’s 19th-century France, with its rising bourgeois order and its anxious performances of taste and virtue, the quote lands as a critique of modernity’s double bookkeeping: public rationality (contracts, careers, reputation) paired with private melodrama (passion, honor, longing). The genius here is that Balzac doesn’t preach restraint; he exposes the imbalance of power. Sentiment is infinite because it can always tell a better story than facts can.
The subtext is quietly brutal: we don’t just feel; we recruit feeling to outrun the constraints of reality. "Cuts a poor figure" is social language, not philosophical language. Balzac is thinking in terms of appearances, performance, and status - the salon, the marriage plot, the financial scheme dressed up as romance. Reason’s problem isn’t that it’s wrong; it’s that it lacks spectacle. Sentiment has costume changes.
Placed in Balzac’s 19th-century France, with its rising bourgeois order and its anxious performances of taste and virtue, the quote lands as a critique of modernity’s double bookkeeping: public rationality (contracts, careers, reputation) paired with private melodrama (passion, honor, longing). The genius here is that Balzac doesn’t preach restraint; he exposes the imbalance of power. Sentiment is infinite because it can always tell a better story than facts can.
Quote Details
| Topic | Reason & Logic |
|---|---|
| Source | Help us find the source |
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