"But remember, guitar players are a dime a dozen"
About this Quote
A little shrug of a line that doubles as a reality check: in rock mythology, the guitarist is often treated like the sun everything else orbits. Novoselic punctures that with working-musician pragmatism. “A dime a dozen” is blunt American retail language, the kind you use for cheap screws or bargain-bin DVDs, not for supposed virtuosos. That choice is the point. It drags the guitar hero down from poster-worthy rarity into the crowded, scuffed rehearsal-space economy where everyone knows three power chords and owns a distortion pedal.
Coming from Nirvana’s bassist, the subtext carries extra bite. Grunge wasn’t built on technical flash; it was built on texture, feel, and a kind of anti-glam honesty that made excess look embarrassing. Novoselic is quietly re-centering value away from the most fetishized role in a band and toward what actually makes a group distinct: songwriting, chemistry, timing, taste, the weird interpersonal alchemy that can’t be bought at a music store. It’s also a defense of the “less celebrated” positions. Bassists and drummers live with the cultural assumption that they’re replaceable; Novoselic flips the script and suggests the opposite might be true.
The intent isn’t to insult guitarists so much as to demystify them. In a culture that rewards gear, solos, and Instagram chops, the line argues for scarcity elsewhere: originality, restraint, and the ability to serve a song. The joke lands because it’s only half a joke.
Coming from Nirvana’s bassist, the subtext carries extra bite. Grunge wasn’t built on technical flash; it was built on texture, feel, and a kind of anti-glam honesty that made excess look embarrassing. Novoselic is quietly re-centering value away from the most fetishized role in a band and toward what actually makes a group distinct: songwriting, chemistry, timing, taste, the weird interpersonal alchemy that can’t be bought at a music store. It’s also a defense of the “less celebrated” positions. Bassists and drummers live with the cultural assumption that they’re replaceable; Novoselic flips the script and suggests the opposite might be true.
The intent isn’t to insult guitarists so much as to demystify them. In a culture that rewards gear, solos, and Instagram chops, the line argues for scarcity elsewhere: originality, restraint, and the ability to serve a song. The joke lands because it’s only half a joke.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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