"But the point is to get a whole new generation of people and people in general more re-engaged in news, and this has happened a lot since September 11th of course"
About this Quote
There is a quietly strategic ambition baked into Isaacson's phrasing: “the point” frames news not as a civic ritual that simply should exist, but as a product with a goal and a target market. “A whole new generation” is the giveaway. It’s less a lofty appeal to democratic duty than a diagnosis of an attention crisis - and an implicit admission that traditional institutions have failed to hold younger audiences. The repetition of “people and people in general” reads like someone thinking aloud, widening the funnel in real time: start with the young, then make it sound like everyone.
The hinge of the quote is September 11th, invoked as a cultural accelerant. Isaacson treats it as proof-of-concept that news engagement is not dead; it’s dormant, waiting for an event with enough moral clarity and existential shock to force collective focus. That’s the subtextual bargain: attention can be won back, but often only through catastrophe.
Context matters here because post-9/11 media wasn’t just “more news.” It was a re-legitimization of the news cycle as a national campfire - cable panels, breaking banners, patriotic graphics, and a public newly willing to reorganize daily life around headlines. Isaacson’s intent seems twofold: to push news organizations toward formats and platforms that can recreate that stickiness, and to remind audiences that engagement is possible when stakes feel real. The uneasy undertone is that the industry may end up chasing the adrenaline of crisis to solve a structural problem: how to make everyday governance feel urgent without an emergency to sell it.
The hinge of the quote is September 11th, invoked as a cultural accelerant. Isaacson treats it as proof-of-concept that news engagement is not dead; it’s dormant, waiting for an event with enough moral clarity and existential shock to force collective focus. That’s the subtextual bargain: attention can be won back, but often only through catastrophe.
Context matters here because post-9/11 media wasn’t just “more news.” It was a re-legitimization of the news cycle as a national campfire - cable panels, breaking banners, patriotic graphics, and a public newly willing to reorganize daily life around headlines. Isaacson’s intent seems twofold: to push news organizations toward formats and platforms that can recreate that stickiness, and to remind audiences that engagement is possible when stakes feel real. The uneasy undertone is that the industry may end up chasing the adrenaline of crisis to solve a structural problem: how to make everyday governance feel urgent without an emergency to sell it.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
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