"But the same thing was true in the army. You slept in a barracks with all kinds of people of every nationality, every trade, every character and quality you can imagine, and that was a good experience"
About this Quote
Foote is selling the army not as glory or discipline, but as forced proximity: a crash course in the American mix you can’t curate. The line’s power sits in how casually it frames intimacy. “You slept in a barracks” isn’t inspirational rhetoric; it’s bodily, unromantic, almost anthropological. The army becomes a sorting bin where the usual partitions of class, region, and self-image get scrambled at night, when the day’s roles loosen and you’re left with other people’s breathing, habits, and stories.
Notice the sprawl of the list: “every nationality, every trade, every character and quality.” It’s deliberately indiscriminate, refusing a tidy moral. Foote doesn’t say you met heroes; he says you met “all kinds of people,” including the ones you’d normally avoid. That’s the subtext: democracy is less a principle than a living arrangement, and it’s awkward. The quiet punch comes at the end: “and that was a good experience.” He doesn’t argue it was uplifting; he states it like a hard-earned conclusion, the kind you reach only after irritation, boredom, maybe disgust.
Context matters. Foote’s sensibility, shaped by the Civil War’s long shadow and by mid-century America, is attuned to how national identity gets made in unchosen spaces: camps, barracks, mess halls. He’s also offering a subtle rebuttal to romantic individualism. Talent, background, and preference don’t get final say here; the nation does. And in Foote’s hands, that coercion becomes, surprisingly, a kind of education.
Notice the sprawl of the list: “every nationality, every trade, every character and quality.” It’s deliberately indiscriminate, refusing a tidy moral. Foote doesn’t say you met heroes; he says you met “all kinds of people,” including the ones you’d normally avoid. That’s the subtext: democracy is less a principle than a living arrangement, and it’s awkward. The quiet punch comes at the end: “and that was a good experience.” He doesn’t argue it was uplifting; he states it like a hard-earned conclusion, the kind you reach only after irritation, boredom, maybe disgust.
Context matters. Foote’s sensibility, shaped by the Civil War’s long shadow and by mid-century America, is attuned to how national identity gets made in unchosen spaces: camps, barracks, mess halls. He’s also offering a subtle rebuttal to romantic individualism. Talent, background, and preference don’t get final say here; the nation does. And in Foote’s hands, that coercion becomes, surprisingly, a kind of education.
Quote Details
| Topic | Military & Soldier |
|---|---|
| Source | Help us find the source |
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