"But then acting is all about faking. We're all very good at faking things that we have no competence with"
About this Quote
Cleese slips a dark little truth under a throwaway joke: the skill isn’t sincerity, it’s simulation. “Acting is all about faking” sounds like a demystification, but it’s also a sideways defense. If performance is fabrication by design, then the moral panic about “authenticity” misses the point. An actor’s job is to make an audience feel something real while everyone involved knows it’s constructed. The sting comes from how easily that logic leaks into everyday life.
The second line widens the target from actors to “we’re all” - a classic Cleese move: start in show business, end up indicting the species. “Very good at faking things that we have no competence with” lands because it’s blunt, slightly accusatory, and uncomfortably plausible. It pokes at a culture where confidence routinely outruns capability: job interviews, networking, expert punditry, even the small social lies that keep friendships smooth. Cleese is basically describing impostor syndrome’s evil twin: not the fear that you’re a fraud, but the discovery that fraud is often rewarded.
Context matters, too. Cleese came up through satire (Cambridge Footlights, Monty Python), where seriousness is a prop to be kicked over. Python’s sketches thrive on people performing authority badly - bureaucrats, aristocrats, officials - exposing how much status is just costuming and tone. In that light, the quote isn’t cynicism for its own sake; it’s a warning disguised as comedy. If we’re all capable of faking competence, the real question becomes who gets caught, who gets hired, and why we keep mistaking performance for proof.
The second line widens the target from actors to “we’re all” - a classic Cleese move: start in show business, end up indicting the species. “Very good at faking things that we have no competence with” lands because it’s blunt, slightly accusatory, and uncomfortably plausible. It pokes at a culture where confidence routinely outruns capability: job interviews, networking, expert punditry, even the small social lies that keep friendships smooth. Cleese is basically describing impostor syndrome’s evil twin: not the fear that you’re a fraud, but the discovery that fraud is often rewarded.
Context matters, too. Cleese came up through satire (Cambridge Footlights, Monty Python), where seriousness is a prop to be kicked over. Python’s sketches thrive on people performing authority badly - bureaucrats, aristocrats, officials - exposing how much status is just costuming and tone. In that light, the quote isn’t cynicism for its own sake; it’s a warning disguised as comedy. If we’re all capable of faking competence, the real question becomes who gets caught, who gets hired, and why we keep mistaking performance for proof.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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