"But what I think my emphasis is, is on the fact that I like music a lot"
About this Quote
There is something quietly disarming about Bill Bruford having to insist, almost redundantly, that his emphasis is simply liking music. Coming from a drummer celebrated for surgical precision and progressive-rock complexity, the line reads like a gentle refusal of the myths that cling to virtuosity: that the serious musician is powered by obsession, ego, or some grim, monkish discipline rather than plain enjoyment.
The stuttered construction ("what I think my emphasis is, is on the fact...") matters. It sounds like someone thinking aloud, sanding down the grand narratives in real time. Bruford is not delivering a slogan; he is dodging one. In a culture that rewards artists for packaging themselves as geniuses or tortured souls, he offers a stubbornly unglamorous motive. The intent is practical: re-center the conversation away from brand, mythology, or even genre, and back toward the basic appetite that keeps a long career alive.
The subtext is also a critique of how audiences and journalists tend to over-interpret. Prog and jazz-adjacent worlds especially invite intellectualization; Bruford has been treated as a technician, an innovator, a brain. This is him reminding you that the brain is attached to a body that just wants to play. In context, it frames musicianship as a lived relationship rather than a résumé item: not "I am important because of music", but "music is important because I like it". That modest inversion is the whole point.
The stuttered construction ("what I think my emphasis is, is on the fact...") matters. It sounds like someone thinking aloud, sanding down the grand narratives in real time. Bruford is not delivering a slogan; he is dodging one. In a culture that rewards artists for packaging themselves as geniuses or tortured souls, he offers a stubbornly unglamorous motive. The intent is practical: re-center the conversation away from brand, mythology, or even genre, and back toward the basic appetite that keeps a long career alive.
The subtext is also a critique of how audiences and journalists tend to over-interpret. Prog and jazz-adjacent worlds especially invite intellectualization; Bruford has been treated as a technician, an innovator, a brain. This is him reminding you that the brain is attached to a body that just wants to play. In context, it frames musicianship as a lived relationship rather than a résumé item: not "I am important because of music", but "music is important because I like it". That modest inversion is the whole point.
Quote Details
| Topic | Music |
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