"Calamities are of two kinds: misfortunes to ourselves, and good fortune to others"
About this Quote
Calamity, in Bierce's hands, isn’t an earthquake or a battlefield; it’s a social comparison with teeth. By splitting disasters into “misfortunes to ourselves” and “good fortune to others,” he turns the noble language of tragedy into a petty, recognizably human reflex: we suffer not only from what happens to us, but from the intolerable fact that someone else is doing fine. It’s classic Bierce - the cool, ledger-book cadence of a definition that smuggles in an insult.
The line works because it weaponizes symmetry. Two “kinds,” neatly balanced, like a sober taxonomy, yet the second category is a joke at our expense. “Good fortune” isn’t objectively catastrophic; it becomes one because envy and wounded pride rewrite reality. Bierce isn’t merely calling people jealous. He’s pointing at how quickly moral storytelling collapses under the pressure of status. Your hardship is tragic; your neighbor’s promotion is an affront. Calamity becomes less an event than a verdict: what the ego can’t metabolize.
Context matters. Bierce wrote in the Gilded Age’s bright, brutal marketplace of winners and losers, and he’d seen real catastrophe up close as a Civil War veteran. That background sharpens the cynicism: after genuine horror, the bourgeois complaint looks especially ridiculous. The intent isn’t to comfort; it’s to expose. Bierce’s journalism and The Devil’s Dictionary thrive on that posture - laughing, yes, but with a blade, insisting that our most sanctified emotions often have shabby motives.
The line works because it weaponizes symmetry. Two “kinds,” neatly balanced, like a sober taxonomy, yet the second category is a joke at our expense. “Good fortune” isn’t objectively catastrophic; it becomes one because envy and wounded pride rewrite reality. Bierce isn’t merely calling people jealous. He’s pointing at how quickly moral storytelling collapses under the pressure of status. Your hardship is tragic; your neighbor’s promotion is an affront. Calamity becomes less an event than a verdict: what the ego can’t metabolize.
Context matters. Bierce wrote in the Gilded Age’s bright, brutal marketplace of winners and losers, and he’d seen real catastrophe up close as a Civil War veteran. That background sharpens the cynicism: after genuine horror, the bourgeois complaint looks especially ridiculous. The intent isn’t to comfort; it’s to expose. Bierce’s journalism and The Devil’s Dictionary thrive on that posture - laughing, yes, but with a blade, insisting that our most sanctified emotions often have shabby motives.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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