"Canadians send us great hockey players. You also send us wonderful performers, from the beginning, with Mary Pickford"
About this Quote
Jamie Farr’s line is diplomacy in a barstool key: a warm, crowd-pleasing compliment that flatters Canada while quietly reaffirming the U.S. as the magnet where talent “gets sent” and becomes legible as greatness. It’s genial on the surface, but the grammar does a lot of work. “Canadians send us” frames cultural exchange as a one-way pipeline into America’s arena, a familiar showbiz story where the best artists cross the border, land in Hollywood, and get upgraded into icons.
Hockey is the disarming opener. It’s the safe stereotype, the shared joke that signals friendliness rather than rivalry. Then Farr pivots to “wonderful performers,” using sports as a bridge to entertainment, two industries that thrive on spectacle, fandom, and national bragging rights. The kicker is Mary Pickford, a canny deep cut. Pickford wasn’t just a famous Canadian; she was one of early Hollywood’s architects, a founder of United Artists. Invoking her lets Farr suggest that Canadian influence isn’t new or marginal - it’s foundational - while still keeping the credit framed through the American mythmaking machine she helped build.
Context matters: Farr, a TV actor with mainstream appeal, is performing camaraderie. This is the kind of line you deliver at a festival, an awards stage, a talk show - anywhere the job is to lubricate goodwill without getting political. The subtext is that culture is a soft border: people cross it easily, and the U.S. benefits. Canada gets praise; America gets the trophy case.
Hockey is the disarming opener. It’s the safe stereotype, the shared joke that signals friendliness rather than rivalry. Then Farr pivots to “wonderful performers,” using sports as a bridge to entertainment, two industries that thrive on spectacle, fandom, and national bragging rights. The kicker is Mary Pickford, a canny deep cut. Pickford wasn’t just a famous Canadian; she was one of early Hollywood’s architects, a founder of United Artists. Invoking her lets Farr suggest that Canadian influence isn’t new or marginal - it’s foundational - while still keeping the credit framed through the American mythmaking machine she helped build.
Context matters: Farr, a TV actor with mainstream appeal, is performing camaraderie. This is the kind of line you deliver at a festival, an awards stage, a talk show - anywhere the job is to lubricate goodwill without getting political. The subtext is that culture is a soft border: people cross it easily, and the U.S. benefits. Canada gets praise; America gets the trophy case.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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