"Cary Grant and I were doing a play in New York. He had a crush on me. Whenever we went to a party, he would always sit on the floor beside me. I thought that was kind of beautiful, like that's where he wanted to be"
About this Quote
Cary Grant sitting on the floor is doing a lot of work here: it’s a grand gesture disguised as humility, a movie-star trying to exit the spotlight by physically lowering himself. Fay Wray frames it as “kind of beautiful,” which is less about swooning and more about registering a rare breach in the usual social physics of celebrity. Parties are hierarchies with hors d’oeuvres; the famous are supposed to be ringed by standing admirers, not choosing the least glamorous square of real estate to be near someone.
The subtext is power handled carefully. Grant’s “crush” could easily read as entitlement in another telling, but Wray’s detail - “whenever we went” - suggests consistency rather than conquest. He’s not cornering her; he’s opting into proximity without forcing attention. Sitting beside her, on the floor, makes his desire legible while also softening it. It’s a courtship move that says: I’m here, I’m not towering over you, and I’m willing to look a little foolish to keep it honest.
Context matters: these are theatre people in New York, not just screen idols on a studio lot. Onstage collaboration creates an intimacy that’s professional first, romantic maybe second. Wray’s line “like that’s where he wanted to be” is the emotional payoff - not “with me,” but “there,” in a shared space that feels chosen, not demanded. She’s memorializing an etiquette of longing: attentive, slightly self-effacing, and, by old-Hollywood standards, almost radical in its restraint.
The subtext is power handled carefully. Grant’s “crush” could easily read as entitlement in another telling, but Wray’s detail - “whenever we went” - suggests consistency rather than conquest. He’s not cornering her; he’s opting into proximity without forcing attention. Sitting beside her, on the floor, makes his desire legible while also softening it. It’s a courtship move that says: I’m here, I’m not towering over you, and I’m willing to look a little foolish to keep it honest.
Context matters: these are theatre people in New York, not just screen idols on a studio lot. Onstage collaboration creates an intimacy that’s professional first, romantic maybe second. Wray’s line “like that’s where he wanted to be” is the emotional payoff - not “with me,” but “there,” in a shared space that feels chosen, not demanded. She’s memorializing an etiquette of longing: attentive, slightly self-effacing, and, by old-Hollywood standards, almost radical in its restraint.
Quote Details
| Topic | Romantic |
|---|---|
| Source | Help us find the source |
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