"Celebrity is hawking make-up, cars, everything; it's shifted"
About this Quote
Janice Dickinson’s line lands like a sigh from someone who watched fame mutate in real time. She’s not just complaining about “sellouts”; she’s naming a structural shift: celebrity used to be the byproduct of doing something the culture deemed singular (modeling, acting, music), and now it’s increasingly a job description in itself. The verb “hawking” is doing the heavy lifting - it’s blunt, almost contemptuous, suggesting not tasteful endorsement but aggressive, transactional pitching. Fame, in her framing, isn’t aura anymore; it’s inventory.
Coming from a model, the critique has bite. Fashion helped pioneer the link between image and consumption, and Dickinson’s career sits at the hinge point: the supermodel era when a face could be both art object and brand engine. Her observation implies a loss of mystery. Old celebrity traded on distance and curation; today’s economy rewards constant monetization and constant presence. The make-up and cars aren’t random examples - they’re shorthand for the full-spectrum lifestyle package: face, body, mobility, identity, all for sale.
The subtext is also defensive, even elegiac: if everyone is a walking ad, what distinguishes the people who built their fame under different rules? “It’s shifted” reads like resignation rather than outrage, the tone of someone clocking that the game changed mid-career. Dickinson’s point isn’t that fame got shallow; it’s that fame got literal.
Coming from a model, the critique has bite. Fashion helped pioneer the link between image and consumption, and Dickinson’s career sits at the hinge point: the supermodel era when a face could be both art object and brand engine. Her observation implies a loss of mystery. Old celebrity traded on distance and curation; today’s economy rewards constant monetization and constant presence. The make-up and cars aren’t random examples - they’re shorthand for the full-spectrum lifestyle package: face, body, mobility, identity, all for sale.
The subtext is also defensive, even elegiac: if everyone is a walking ad, what distinguishes the people who built their fame under different rules? “It’s shifted” reads like resignation rather than outrage, the tone of someone clocking that the game changed mid-career. Dickinson’s point isn’t that fame got shallow; it’s that fame got literal.
Quote Details
| Topic | Marketing |
|---|---|
| Source | Help us find the source |
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