"Character and emotionality don't always have to be relegated to quieter, more simple constructs"
About this Quote
The phrasing matters. "Relegated" signals a cultural demotion, as if character and emotionality have been assigned to a smaller room in the house of cinema. "Quieter" and "simple constructs" are doing double duty: they describe a style (understated, contained) and also a critical expectation that emotion should arrive in neat, legible packages. Bigelow rejects that tidy emotional accounting. She is drawn to situations where people reveal themselves under stress, where moral choices are less monologue than reflex, and where intimacy can be created through proximity to danger.
The subtext is also gendered, whether she names it or not. Women directors have often been boxed into the "small" and the "sensitive", while "big" filmmaking is coded as masculine. Bigelow's career has been a sustained refusal of that box. Her intent here is to widen the lane: to insist that interiority can survive, even sharpen, inside the loudest genres - and that dismissing it as incompatible is less an artistic truth than an inherited critical habit.
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Citation Formats
APA Style (7th ed.)
Bigelow, Kathryn. (2026, January 16). Character and emotionality don't always have to be relegated to quieter, more simple constructs. FixQuotes. https://fixquotes.com/quotes/character-and-emotionality-dont-always-have-to-be-87527/
Chicago Style
Bigelow, Kathryn. "Character and emotionality don't always have to be relegated to quieter, more simple constructs." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/character-and-emotionality-dont-always-have-to-be-87527/.
MLA Style (9th ed.)
"Character and emotionality don't always have to be relegated to quieter, more simple constructs." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/character-and-emotionality-dont-always-have-to-be-87527/. Accessed 21 Feb. 2026.







