"Children know from a remarkably early age that things are being kept from them, that grown-ups participate in a world of mysteries"
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A child’s first real education isn’t in letters or numbers; it’s in secrecy. Hecht’s line captures that early, prickling awareness that the adult world runs on withheld information, coded conversations, and closed doors. The brilliance is in how “remarkably early” refuses sentimentality: this isn’t a coming-of-age epiphany at sixteen, it’s a toddler’s quiet audit of power. Children may not know what the mysteries are, but they can tell they’re not invited.
Hecht, a poet with a sharpened ear for social masks and a life marked by the aftershocks of World War II, gravitates toward the moral psychology of omission: what it does to the person excluded, and what it reveals about the people doing the excluding. “Grown-ups participate” implies complicity, even ritual. Adulthood isn’t just knowing more; it’s joining a club whose membership requires selective silence. The adult world becomes less a repository of wisdom than a network of agreements about what not to say.
The subtext is also protective and predatory at once. Adults keep things from children to spare them, yes, but also to preserve authority, manage shame, and maintain a narrative in which grown-ups are in control. Hecht turns that dynamic into a miniature theory of culture: societies, like families, are built on mysteries - euphemisms for sex, money, violence, grief. Children sense the gap between what’s happening and what’s being named. That gap is where poetry lives.
Hecht, a poet with a sharpened ear for social masks and a life marked by the aftershocks of World War II, gravitates toward the moral psychology of omission: what it does to the person excluded, and what it reveals about the people doing the excluding. “Grown-ups participate” implies complicity, even ritual. Adulthood isn’t just knowing more; it’s joining a club whose membership requires selective silence. The adult world becomes less a repository of wisdom than a network of agreements about what not to say.
The subtext is also protective and predatory at once. Adults keep things from children to spare them, yes, but also to preserve authority, manage shame, and maintain a narrative in which grown-ups are in control. Hecht turns that dynamic into a miniature theory of culture: societies, like families, are built on mysteries - euphemisms for sex, money, violence, grief. Children sense the gap between what’s happening and what’s being named. That gap is where poetry lives.
Quote Details
| Topic | Youth |
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