"Circumstances can be very important. Find the right people to work with"
About this Quote
For a jazz musician, “circumstances” isn’t small talk. It’s code for the entire ecology that decides whether your ideas get to live: the room, the bandstand politics, the gig’s constraints, the unspoken rules of taste, the money (or lack of it), the city you’re in, the night you’re having. Steve Lacy, who built a singular career on the soprano sax and a stubborn commitment to the avant-garde, is quietly rejecting the romantic myth of the lone genius. In his world, purity of vision doesn’t float above logistics; it’s either amplified or strangled by them.
The second sentence sharpens the point into something like survival advice. “Find the right people to work with” sounds managerial, almost banal, until you hear it as a musician’s hard-earned realism. Lacy’s music depends on trust: players who can handle space, risk, and ambiguity without panicking into safe licks. The “right people” aren’t just talented; they share an appetite for the same kind of danger. In improvised music, your collaborators aren’t background support, they’re co-authors. They determine whether a daring idea becomes a breakthrough or a train wreck.
There’s also a subtle rebuke to scenes that fetishize individual brilliance while ignoring how gatekeeping operates. Circumstances include who gets booked, who gets heard, who gets dismissed as “difficult.” Lacy’s line reads like a compass for navigating that: you can’t control the weather, but you can choose your crew. In a culture that loves origin stories, he’s pointing to something less cinematic and more true: the conditions matter, and community is part of the craft.
The second sentence sharpens the point into something like survival advice. “Find the right people to work with” sounds managerial, almost banal, until you hear it as a musician’s hard-earned realism. Lacy’s music depends on trust: players who can handle space, risk, and ambiguity without panicking into safe licks. The “right people” aren’t just talented; they share an appetite for the same kind of danger. In improvised music, your collaborators aren’t background support, they’re co-authors. They determine whether a daring idea becomes a breakthrough or a train wreck.
There’s also a subtle rebuke to scenes that fetishize individual brilliance while ignoring how gatekeeping operates. Circumstances include who gets booked, who gets heard, who gets dismissed as “difficult.” Lacy’s line reads like a compass for navigating that: you can’t control the weather, but you can choose your crew. In a culture that loves origin stories, he’s pointing to something less cinematic and more true: the conditions matter, and community is part of the craft.
Quote Details
| Topic | Team Building |
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