"Cliches are what make you understand something"
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Cliches get treated like creative bankruptcy, but Vaughn is pointing at their real superpower: they’re compressed social software. A cliche arrives pre-loaded with shared context, so it doesn’t just communicate an idea; it guarantees reception. In a medium like film producing, where clarity is a survival skill and every second competes with noise, that reliability matters. You can build a complex emotional beat on top of a phrase, a trope, a familiar rhythm, because the audience is already halfway there.
The provocation in “are what make you understand something” is its inversion of the usual snobbery. We like to believe we understand through originality, through bespoke insight. Vaughn argues the opposite: understanding often comes from recognition. The cliche is the handshake between storyteller and viewer, the shorthand that says, “We’ve been here before.” That’s not laziness; it’s infrastructure. Producers traffic in infrastructure: casting choices that signal a genre, a trailer beat that tells you the rules, a line that lands because it echoes a thousand earlier lines.
Subtextually, it’s also a defense of populism in storytelling. Cliches are democratic; they don’t require you to pass a cultural literacy test to get in the door. The risk, of course, is that they can replace thinking instead of enabling it. Vaughn’s best producers’ insight is that cliches aren’t the destination. They’re the on-ramp. Once the audience understands, you can subvert, deepen, or complicate. Without that initial legibility, even brilliance can read like static.
The provocation in “are what make you understand something” is its inversion of the usual snobbery. We like to believe we understand through originality, through bespoke insight. Vaughn argues the opposite: understanding often comes from recognition. The cliche is the handshake between storyteller and viewer, the shorthand that says, “We’ve been here before.” That’s not laziness; it’s infrastructure. Producers traffic in infrastructure: casting choices that signal a genre, a trailer beat that tells you the rules, a line that lands because it echoes a thousand earlier lines.
Subtextually, it’s also a defense of populism in storytelling. Cliches are democratic; they don’t require you to pass a cultural literacy test to get in the door. The risk, of course, is that they can replace thinking instead of enabling it. Vaughn’s best producers’ insight is that cliches aren’t the destination. They’re the on-ramp. Once the audience understands, you can subvert, deepen, or complicate. Without that initial legibility, even brilliance can read like static.
Quote Details
| Topic | Wisdom |
|---|
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