"Color is for me the purest form of expression, the purest abstract reality"
About this Quote
Color, in Jim Hodges's telling, isn’t decoration; it’s a claim to legitimacy. Calling it "the purest form of expression" pushes past policy language into something older and more persuasive: sensation. Politicians are trained to speak in manageable units - budgets, bills, talking points. Hodges reaches for abstraction instead, treating color as a kind of pre-verbal truth that can’t be cross-examined on cable news.
The phrasing does quiet rhetorical work. "Purest" repeats like a hammer, insisting on sincerity while sidestepping specifics. That repetition signals a familiar political impulse: when the world gets messy, elevate the conversation to a plane where disagreement feels petty. "Abstract reality" is the key contradiction. Abstraction is usually what we accuse politicians of peddling - lofty rhetoric unmoored from consequences. Hodges flips it: abstraction becomes reality’s cleanest version, stripped of partisan grime. It’s an attempt to sanctify intuition over argument.
Context matters here. A late-20th/early-21st-century politician speaking in these terms is likely navigating a culture that increasingly consumes politics as aesthetics: the color of a tie, the palette of a campaign logo, the red/blue tribal map that turns citizenship into branding. Read that way, Hodges isn’t only praising art; he’s acknowledging how power now travels through visuals and vibe. Subtext: if you can control the emotional temperature of the room - the hue of public feeling - you can shape what people accept as real before they ever hear the facts.
The phrasing does quiet rhetorical work. "Purest" repeats like a hammer, insisting on sincerity while sidestepping specifics. That repetition signals a familiar political impulse: when the world gets messy, elevate the conversation to a plane where disagreement feels petty. "Abstract reality" is the key contradiction. Abstraction is usually what we accuse politicians of peddling - lofty rhetoric unmoored from consequences. Hodges flips it: abstraction becomes reality’s cleanest version, stripped of partisan grime. It’s an attempt to sanctify intuition over argument.
Context matters here. A late-20th/early-21st-century politician speaking in these terms is likely navigating a culture that increasingly consumes politics as aesthetics: the color of a tie, the palette of a campaign logo, the red/blue tribal map that turns citizenship into branding. Read that way, Hodges isn’t only praising art; he’s acknowledging how power now travels through visuals and vibe. Subtext: if you can control the emotional temperature of the room - the hue of public feeling - you can shape what people accept as real before they ever hear the facts.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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