"Composers today get a TV script on Friday and have to record on Tuesday. It's just dreadful to impose on gifted talent and expect decent music under these conditions"
About this Quote
There is real indignation packed into North's blunt timeline: Friday to Tuesday, art reduced to a turnaround. The rhythm of the sentence is its argument. By naming the days, he turns an abstract complaint about "deadlines" into a concrete humiliation, the kind of schedule that belongs to factory work, not composition. "TV script" is doing quiet work here, too. In North's era, television was the hungry new machine, devouring material and demanding speed; it carried less prestige than film and far less than the concert hall. He's not only critiquing logistics, he's tracing a cultural demotion.
The bite comes from the phrase "impose on gifted talent". North isn't romanticizing composers as delicate geniuses; he's pointing to a system that treats skill as infinitely elastic. The industry assumption is: if you're truly talented, you'll simply deliver, no matter the constraints. His subtext is that this is a con: it flatters creators while extracting more labor, faster, cheaper, and with fewer chances to revise, orchestrate, or even think. "Decent music" becomes the casualty, but so does professional dignity.
Context matters. North helped professionalize and elevate American screen music, bringing modernist harmony and psychological shading to Hollywood. His complaint isn't nostalgia for some golden age; it's a warning about what mass media's production cycle does to craft. When speed becomes the primary value, "gift" stops being nurtured and starts being mined.
The bite comes from the phrase "impose on gifted talent". North isn't romanticizing composers as delicate geniuses; he's pointing to a system that treats skill as infinitely elastic. The industry assumption is: if you're truly talented, you'll simply deliver, no matter the constraints. His subtext is that this is a con: it flatters creators while extracting more labor, faster, cheaper, and with fewer chances to revise, orchestrate, or even think. "Decent music" becomes the casualty, but so does professional dignity.
Context matters. North helped professionalize and elevate American screen music, bringing modernist harmony and psychological shading to Hollywood. His complaint isn't nostalgia for some golden age; it's a warning about what mass media's production cycle does to craft. When speed becomes the primary value, "gift" stops being nurtured and starts being mined.
Quote Details
| Topic | Music |
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