"Composing is my life blood"
About this Quote
"Composing is my life blood" is a bold claim precisely because it refuses the safer language artists often reach for: passion, inspiration, craft. Lifeblood is non-negotiable. It implies dependency, urgency, and a body that can fail without the work. Morton Gould isn’t romanticizing creativity as a mood; he’s framing it as physiology. That choice quietly rebukes the idea of composition as a genteel pastime or a prestige marker. For Gould, writing music isn’t what he does after he’s lived. It’s how he stays alive.
The line lands differently when you remember who Gould was: a composer who moved fluently between concert hall and mass media, shaping American sound in an era when radio, Broadway, and symphonic institutions were all wrestling for cultural authority. His career required both discipline and adaptability, the kind of musical bilingualism that can be dismissed as “commercial” or “eclectic.” Calling composing his lifeblood is a way of reclaiming seriousness on his own terms. It says: even when the venue shifts, the work remains essential.
Subtextually, there’s a defense against the American tendency to treat artists as entertainers first and laborers never. Lifeblood implies labor, repetition, and cost. It also hints at a fear: if the composing stops, what’s left? That vulnerability is what gives the quote its bite. It’s not a slogan. It’s a diagnosis.
The line lands differently when you remember who Gould was: a composer who moved fluently between concert hall and mass media, shaping American sound in an era when radio, Broadway, and symphonic institutions were all wrestling for cultural authority. His career required both discipline and adaptability, the kind of musical bilingualism that can be dismissed as “commercial” or “eclectic.” Calling composing his lifeblood is a way of reclaiming seriousness on his own terms. It says: even when the venue shifts, the work remains essential.
Subtextually, there’s a defense against the American tendency to treat artists as entertainers first and laborers never. Lifeblood implies labor, repetition, and cost. It also hints at a fear: if the composing stops, what’s left? That vulnerability is what gives the quote its bite. It’s not a slogan. It’s a diagnosis.
Quote Details
| Topic | Music |
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