"Conceit is an insuperable obstacle to all progress"
About this Quote
Conceit doesn’t just slow growth; it locks the door from the inside. Ellen Terry’s line has the clean, stage-ready snap of someone who spent a lifetime watching human nature play itself out under bright lights. “Insuperable” is doing heavy lifting here: not merely difficult, not a speed bump, but a barrier you can’t climb if you insist on carrying your own ego like a throne.
Coming from an actress, the indictment lands with extra bite. The theater rewards confidence, even a cultivated kind of self-mythology, yet it punishes vanity that refuses correction. Progress in performance is brutally practical: you take direction, miss your mark, hear the audience go quiet where you wanted laughter, and you adjust. Conceit is the refusal to treat those signals as information. It turns feedback into insult, collaborators into rivals, and craft into mere self-display. The subtext is less moral scolding than professional diagnosis: if you can’t admit you’re not already the finished product, you cannot rehearse your way into being one.
Terry’s era adds another layer. As a celebrated woman in late Victorian and Edwardian public life, she navigated a culture eager to label female ambition as vanity. Her wording sidesteps that trap by aiming at a universal mechanism: the ego that confuses certainty with competence. It’s also a quietly democratic claim. Progress isn’t reserved for geniuses; it’s available to anyone willing to be revised. Conceit, by contrast, is the one privilege that guarantees stagnation.
Coming from an actress, the indictment lands with extra bite. The theater rewards confidence, even a cultivated kind of self-mythology, yet it punishes vanity that refuses correction. Progress in performance is brutally practical: you take direction, miss your mark, hear the audience go quiet where you wanted laughter, and you adjust. Conceit is the refusal to treat those signals as information. It turns feedback into insult, collaborators into rivals, and craft into mere self-display. The subtext is less moral scolding than professional diagnosis: if you can’t admit you’re not already the finished product, you cannot rehearse your way into being one.
Terry’s era adds another layer. As a celebrated woman in late Victorian and Edwardian public life, she navigated a culture eager to label female ambition as vanity. Her wording sidesteps that trap by aiming at a universal mechanism: the ego that confuses certainty with competence. It’s also a quietly democratic claim. Progress isn’t reserved for geniuses; it’s available to anyone willing to be revised. Conceit, by contrast, is the one privilege that guarantees stagnation.
Quote Details
| Topic | Humility |
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