"Considering how dangerous everything is, nothing is really very frightening"
About this Quote
Stein’s line lands like a deadpan shrug at the edge of the abyss: if risk is the baseline condition of living, then fear starts to look like a luxury, even a kind of bad manners. The joke isn’t that danger is exaggerated; it’s that danger is so total, so ambient, that panicking at any one thing feels almost naive. She compresses modernity’s anxiety into a paradox that reads like a coping strategy and an indictment at once.
The intent is slyly corrective. Stein doesn’t offer reassurance; she deflates the performative drama of being frightened. “Everything” is the key word, sweeping up illness, war, social rupture, romantic catastrophe, and the ordinary perils of getting through a day. When threat is everywhere, the mind can’t sustain a constant alarm without breaking, so it chooses a cooler posture: the calm that comes from accepting chaos as normal.
Context matters because Stein’s sensibility was formed in the early 20th century’s turbulence - a world remade by World War I, speeding technology, and radical shifts in art and identity. Her modernist style often treated language itself as unstable; here, the instability is existential. The sentence works because it flips the expected hierarchy of fears: instead of fearing the exceptional, she suggests the exceptional is the belief that life was ever safe. Under the wit is something harder: a quiet permission to keep moving, not because danger is absent, but because it’s constant.
The intent is slyly corrective. Stein doesn’t offer reassurance; she deflates the performative drama of being frightened. “Everything” is the key word, sweeping up illness, war, social rupture, romantic catastrophe, and the ordinary perils of getting through a day. When threat is everywhere, the mind can’t sustain a constant alarm without breaking, so it chooses a cooler posture: the calm that comes from accepting chaos as normal.
Context matters because Stein’s sensibility was formed in the early 20th century’s turbulence - a world remade by World War I, speeding technology, and radical shifts in art and identity. Her modernist style often treated language itself as unstable; here, the instability is existential. The sentence works because it flips the expected hierarchy of fears: instead of fearing the exceptional, she suggests the exceptional is the belief that life was ever safe. Under the wit is something harder: a quiet permission to keep moving, not because danger is absent, but because it’s constant.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Unverified source: Everybody’s Autobiography (Gertrude Stein, 1937)
Evidence: Chapter 2 (page varies by edition). Primary-source location: the line appears in Gertrude Stein’s own book *Everybody’s Autobiography* (published 1937). The quote is often shortened to “Considering how dangerous everything is, nothing is really very frightening,” but in context it appears as part... Other candidates (2) Gertrude Stein (Gertrude Stein) compilation97.5% ly after all considering how dangerous everything is nothing is really very frightening ch 2 Wisdom for the Soul (Larry Chang, 2006) compilation95.0% ... Considering how dangerous everything is nothing is really very frightening . ~ Gertrude Stein , 1874-1946 ~ We ha... |
| Featured | This quote was our Quote of the Day on July 18, 2023 |
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