"Consistency is very important when you're making films"
About this Quote
In Ian McDiarmid's mouth, "Consistency is very important when you're making films" lands less like a platitude and more like an actor's survival rule. Film is an art of fragments: scenes shot out of order, performances rebuilt across months, tones negotiated between directors, editors, composers, and studios. Consistency is the invisible thread that keeps the audience from noticing the seams. When it fails, viewers don't say, "The continuity broke". They say, "I don't buy it."
The line also carries the quiet politics of franchise filmmaking, a context McDiarmid knows intimately from Star Wars. In long-running series, "consistency" isn't only about matching a character's voice or emotional temperature; it's about honoring a shared mythology under intense scrutiny. Fans arrive with receipts, comparing gestures, motivations, even the rhythm of a line reading against decades of canon. An actor becomes a custodian of continuity, guarding the character's internal logic even when scripts, directors, or corporate priorities shift.
Subtext: consistency is trust. It's the pact between filmmaker and audience that the world has rules, that choices have consequences, that a character isn't rewritten by convenience. It's also a gentle warning to the machinery around the set: you can experiment, but you can't improvise away coherence. McDiarmid's understatement reads like professional discipline disguised as common sense, the kind of pragmatic wisdom that keeps performance from dissolving into a collection of clever moments.
The line also carries the quiet politics of franchise filmmaking, a context McDiarmid knows intimately from Star Wars. In long-running series, "consistency" isn't only about matching a character's voice or emotional temperature; it's about honoring a shared mythology under intense scrutiny. Fans arrive with receipts, comparing gestures, motivations, even the rhythm of a line reading against decades of canon. An actor becomes a custodian of continuity, guarding the character's internal logic even when scripts, directors, or corporate priorities shift.
Subtext: consistency is trust. It's the pact between filmmaker and audience that the world has rules, that choices have consequences, that a character isn't rewritten by convenience. It's also a gentle warning to the machinery around the set: you can experiment, but you can't improvise away coherence. McDiarmid's understatement reads like professional discipline disguised as common sense, the kind of pragmatic wisdom that keeps performance from dissolving into a collection of clever moments.
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