"Continuous eloquence wearies. Grandeur must be abandoned to be appreciated. Continuity in everything is unpleasant. Cold is agreeable, that we may get warm"
About this Quote
Pascal is needling our addiction to the seamless. “Continuous eloquence” isn’t praise; it’s a warning shot at rhetoric that never pauses long enough to let a mind breathe. Unbroken grandeur becomes noise. The point isn’t that beauty or persuasion are bad, but that they require contrast to register as beauty or persuasion at all. When everything is elevated, nothing feels elevated.
The subtext is almost physiological: attention has a metabolism. It needs rest, friction, even boredom to reset its sensitivity. Pascal folds aesthetics into ethics here. If you insist on constant intensity - constant argument, constant brilliance, constant spiritual altitude - you’re not just being tiresome; you’re courting self-deception. You start mistaking stimulation for truth, high tone for high meaning.
“Grandeur must be abandoned to be appreciated” is a particularly sharp jab at performative piety and courtly spectacle, both of which Pascal knew intimately in 17th-century France. The era’s salons prized wit as social currency, while the monarchy staged power as theater. Pascal, shaped by Jansenist severity and by the limits of reason he famously cataloged, turns that world’s polish against itself: even the sublime needs humility, even brilliance needs silence.
The closing line lands like a clean, almost comic paradox: “Cold is agreeable, that we may get warm.” Discomfort becomes a feature, not a bug. Pascal isn’t romanticizing suffering; he’s describing the mechanism of appreciation. Warmth without cold is just temperature. Grandeur without ordinariness is just decoration.
The subtext is almost physiological: attention has a metabolism. It needs rest, friction, even boredom to reset its sensitivity. Pascal folds aesthetics into ethics here. If you insist on constant intensity - constant argument, constant brilliance, constant spiritual altitude - you’re not just being tiresome; you’re courting self-deception. You start mistaking stimulation for truth, high tone for high meaning.
“Grandeur must be abandoned to be appreciated” is a particularly sharp jab at performative piety and courtly spectacle, both of which Pascal knew intimately in 17th-century France. The era’s salons prized wit as social currency, while the monarchy staged power as theater. Pascal, shaped by Jansenist severity and by the limits of reason he famously cataloged, turns that world’s polish against itself: even the sublime needs humility, even brilliance needs silence.
The closing line lands like a clean, almost comic paradox: “Cold is agreeable, that we may get warm.” Discomfort becomes a feature, not a bug. Pascal isn’t romanticizing suffering; he’s describing the mechanism of appreciation. Warmth without cold is just temperature. Grandeur without ordinariness is just decoration.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Unverified source: Pensées de M. Pascal sur la religion et sur quelques autr... (Blaise Pascal, 1670)
Evidence: Fragment 355 (Brunschvicg numbering) / Lafuma 354; page varies by edition. This wording appears as a single fragment in Pascal’s posthumous Pensées. In the widely used Brunschvicg numbering it is fragment 355 and contains the exact English sentence sequence: “Continuous eloquence wearies… Cold is... Other candidates (2) Blaise Pascal (Daniel Coenn, 2014) compilation97.2% ... Continuous eloquence wearies. Grandeur must be abandoned to be appreciated. Continuity in everything is unpleasan... Blaise Pascal (Blaise Pascal) compilation31.4% an it is to be master of several objects that men covet and thus to be able to satisfy the wants and the desires of m... |
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